Only original artworks and Signed Limited Edition are on offer in Studio Sale Room. Free Shipping Worldwide!! Each Limited Print or 3D artwork comes with an unique 2 Year Warranty. All artwork includes its Certificate of Authenticity endorsed by no barking aRt and Lineup2020 artists Collective. Studio Sale Room open till the end of pandemic, you don’t have long to collect these great works from Lineup 2020! All profit goes to artists.
no barking aRt presents
STUDIO SALE ROOM
A World without End-Lineup Artists
Planted Here by Pippa El-Kadhi Brown
£0.00
Sold out
Original Painting. A figure sits centred on the paper, it’s body merging with the space whilst the space simultaneously merges with the figure.
Planted Here
Size: 20 x 30 cm
Medium: Acrylic on paper
Artwork detail explain:
A figure sits centred on the paper, it’s body merging with the space whilst the space
simultaneously merges with the figure. There are implications of the surroundings, but nothing is entirely clear, and much is left to the wandering imagination.
Figurative, Emotional, Spatial, Acrylic, Gestural, Painterly, Mark-Making, Human Presence,
Painted Mark, Phycological, Wet-On-Wet, Interior vs exterior
Sold-My Hair Hissed and Turned to Serpents, My Eyes Saw the World in Stone by Pippa El-Kadhi Brown
£0.00
Sold out
Original painting. The title was taken from Ann Stanford’s poem Medusa.
My Hair Hissed and Turned to Serpents, My Eyes Saw the World in Stone
Size:
29 x 20.5 cm
Medium:
Acrylic, pencil and oil pastel on paper
Artwork detail explain:
"Made during lockdown in my home, the piece highlights the frustration of confinement and how easy it is to lose one’s temper in such conditions. The title was taken from Ann Stanford’s poem Medusa, I compare myself to a gorgon, where at any given moment I might turn a loved one to stone, due to elevated emotions and high frustration. " Pippa B.
----
Medusa, Mythology, Quarantine, Frustration,
Painterly, Gestural, Spatial, Acrylic, Serpents,
not available - Bird Sounds by Pippa El-Kadhi Brown
£0.00
Sold out
Original Painting: 'Bird Sounds' is a playful and visual response to generated bird ambience noises.
Size:
60 x 60 cm
Medium:
Acrylic on canvas
Bird Sounds is a playful and visual response to generated bird ambience noises.
Appearing in the top left corner of Two of Hearts, it reflects a concept of a virtual presence, phycological rather than physical, existing in one way, and absenting in another.
You can see Brown's works in the exhibition.
---------------------------------------------------
Bird Sounds, Noises, Birds, Visuals, Gestural,
Painterly, Eggs, Reproduction, Virtual, Natural,
Nature, Patchwork, Presence, Physical, Existence,
Ambience, Painting within a painting, Two of
Hearts
Hiss by Mary Crenshaw
£120.00
Original Mix Media. It was at the beginning of the pandemic, and the collaged piece of a map represents its beginning in Italy.
Hiss
Acrylic, collage on poplar panel, 17x13 cm, 2020
Artwork Concept
It was at the beginning of the pandemic, and the collaged piece of a map represents its beginning in Italy.
Sputter by Mary Crenshaw
£120.00
Original Mixed Media. Here a map of Italy a glove and face mask were collaged onto abstract shapes
Sputter
Acrylic, collage on poplar panel, 17x13 cm, 2020
Artwork Concept
Here a map of Italy a glove and face mask were collaged onto abstract shapes.
About:
USA born Mary Crenshaw lives and works in Milan, Italy. Her large abstract oil on canvas paintings look to the European migrant crisis as subject matter. It was Crenshaw’s first-hand experience of obtaining Italian citizenship and coming into contact with less fortunate asylum-seekers that inspired her to address expatriation.
Sizzle by Mary Crenshaw
£120.00
Original Mixed Media. Here a map of Italy a glove and face mask were collaged onto abstract shapes.
Sizzle
Acrylic, collage on poplar panel, 17x13 cm, 2020
About Artwork:
A collaged glove together with map pieces of Italy on abstract shapes.
About:
USA born Mary Crenshaw lives and works in Milan, Italy. Her large abstract oil on canvas paintings look to the European migrant crisis as subject matter. It was Crenshaw’s first-hand experience of obtaining Italian citizenship and coming into contact with less fortunate asylum-seekers that inspired her to address expatriation.
You can see Crenshaw's works in the Exhibition.
Lockdown Monoprint Series by Judith Walker (No.4 )
£95.00
Sold out
'Where Are You? - Come This Way - I Am Here - You Are Welcome - To Join Me - On My Own 4'
Monoprint
Size: measure in centimetre
29.7 X 42 (CM)
Unframed handmade monoprint
This work is a part of series of monoprints “Isolating Together” inspired by human reaction to the pandemic. This work is intended to convey the message that people can all feel a sense of community within isolation.
You can see more Walker's works in our residence page
LOCKDOWN MONOPRINT SERIES BY JUDITH WALKER (NO.14 )
£95.00
Original Monoprint.
Where Are You? - Come This Way - I Am Here - You Are Welcome - To Join Me - On My Own 14
Monoprint
Size: measure in centimetre
29.7 X 42 (CM)
Unframed handmade monoprint
This work is a part of series of monoprints “Isolating Together” inspired by human reaction to the pandemic. This work is intended to convey the message that people can all feel a sense of community within isolation.
You can see more Walker's works in our residence page
LOCKDOWN MONOPRINT SERIES BY JUDITH WALKER (NO.12)
£95.00
Original monotype print;
Where Are You? - Come This Way - I Am Here - You Are Welcome - To Join Me - On My Own 12
Unframed handmade monotype print
Size: measure in centimetre
29.7 X 42
Medium:
Monotype water based ink on paper
This work is a part of series of monoprints “Isolating Together” inspired by human reaction to the pandemic. This work is intended to convey the message that people can all feel a sense of community within isolation.
You can see more Walker's works in our residence page
Outrance No.1 by Peter Charalambides
£180.00
Origianl painting, based on the exploration of the media, with particular attention on the portrayal of men and women within the realm of advertising.
Outrance 1
40cm x 30cm
Pen, Acrylic and Spray Paint on canvas
About:
A original artwork based on the exploration of the media, with particular attention on the portrayal of men and women within the realm of advertising. The piece also explores the concept of consumerism and the need to aspire and own. This is namely focused on the realms of high-end fashion and the perfumery sector, where the contrast between real life and that ‘aspirational’ life is at its most extreme.
Peter Charalambides' works are in the exhibition Delicious Future. Please see home page A World without End.
Outrance No. 2 by Peter Charalambides
£180.00
Original Painting. A work that explores the concept of consumerism and the need to aspire and own.
Outrance 2
40cm x 40cm
Pen, Acrylic and Spray Paint on canvas
Artwork Concept:
A piece based on the exploration of the media, with particular attention on the portrayal of men and women within the realm of advertising. The piece also explores the concept of consumerism and the need to aspire and own. This is namely focused on the realms of high-end fashion and the perfumery sector, where the contrast between real life and that ‘aspirational’ life is at its most extreme.
About Peter Charalambides. UK.
Peter Charalambides is a self-trained painter living and working in London, England. The primary aims of his work is to create and destroy images in an attempt to produce something new, fresh and invigorating. The final works are characterised by colour and texture- qualities that magnify an expressionist style throughout his works. Peter is fascinated by the ideas of beauty and how this rather ethereal concept exists in our modern westernized society. Furthermore, these are often explored against the backdrop of drawings and writing that chronicle the triteness of everyday living.
You can see Charalambides's works in our Exhibition.
Outrance No. 3 By Peter Charalambides
£180.00
Origianl painting, based on the exploration of the media, with particular attention on the portrayal of men and women within the realm of advertising.
Outrance 1
40cm x 30cm
Pen, Acrylic and Spray Paint on canvas
About:
A original artwork based on the exploration of the media, with particular attention on the portrayal of men and women within the realm of advertising. The piece also explores the concept of consumerism and the need to aspire and own. This is namely focused on the realms of high-end fashion and the perfumery sector, where the contrast between real life and that ‘aspirational’ life is at its most extreme.
Peter Charalambides' works are in the exhibition Delicious Future. Please see home page A World without End.
Bison Jump by Karen Popham
£499.00
Original Painting. Artist captured a dancer's force has to centre one’s entire energy inwardly and, from a standing start, spring into the air.
Bison Jump
Oil on Canvas (Stressed painted wood frame)
74 x 44 cm
Concept:
The dancers explained this jump to me: one has to centre one’s entire energy inwardly and, from a standing start, spring into the air – the power of it seems like the snap of positive electricity as the human form propels upwards with the greatest effort.
It was the force of this jump that I wanted to capture, not necessarily even the dancer.
You can see Karen Popham's works in the Exhibition.
The View Outside by Karen Popham
£90.00
Limited Edition of 25 Giclée Prints, signed and Mounted.
The View Outside
25 Limited Edition Giclée Prints (of Oil on Canvas Painting)
Size: 66 x 54 cm
Artwork detail:
The view is a simple one, just the houses opposite. It has no great distance and is completely and utterly familiar. But sometimes, one notices it’s subtle changes: the light catches the top of the geranium leaf on the parapet and dances on the facade of those houses, flashing on the scaffolding which implies a sense of time, repair and evolution. It’s amazing what you notice when stuck inside.
Study of Horse by Karen Popham, Special Lockdown Price, limited time only!
£175.00
Original Conté on handmade paper study. Lockdown limited time, on sale price, original £499.
Study of Horse
52 x 65 cm
Detail of the work:
This horse was not the easiest subject to capture – Popham had to work quickly and simply as she followed him around the field. He was completely aware of Popham and, for a moment, stood beautifully square, then tossed his head, snorting as he walked away.
My Autumn by Liz Derbyshire
£28.00
Limited Edition of 100. Hand signed print and hand -written letter to the person it is for, explaining the development of the painting.
My Autumn
November 2019
Actual size of painting 19 cm x26.5cm
Medium:
Print on high-quality acid free paper from artists original painting image.
Print from original Acrylic and water- soluble oil painting.
Hand signed print and hand -written letter to the person it is for, explaining the development of the painting.
About:
Autumn is my favourite season the richness of the colours reminds me that change is beginning and the cycle of life through the seasons and our own selves will continue.
A World without end by Liz Derbyshire
£28.00
Limited Edition of 100. Inspired by the theme of A World Without End Summer Exhibition 2020 no barking aRt.
A World without end
Size: 21 cm x 29.7 cm
Medium:
Print on high- quality acid free paper from artists original painting image
Artwork detail:
Print from an original water- soluble oil and acrylic painting.
Hand signed print and hand- written explanation by the artist of how the painting developed, to the person it is intended for.
Concept
The theme ‘a world without end’ inspired me to paint. I looked at images of the earth and could see a baby and mothers face in the ocean.
My intention became to define these faces which then seemed to evoke a feeling of hope, strength and unconditional love. i think this indefinable word love is visible in nature, especially as there is more time to watch now. Nature seems to push through even in the darkest and inhospitable places.
The new birth of a baby pushing through the sea metaphorical of rebirth in all things.
A World without end II by Liz Derbyshire
£28.00
Limited Edition of 100. Hand signed and hand -written letter to the person it is for.
A World without end II
Size: 21cm x 29.7cm
Medium:
Print on high- quality acid free paper from artists original painting image.
In her own words:
Inspired by the theme a world without end.
The canvas board was painted a dark colour as I wanted to convey light against it.
I had an image in my head of blowing kisses as you might do to those family and friends when ending a skype call, especially now with this lock down.
As the painting evolved the kisses became leaves and perhaps petals and these blew from the mouth of a magician type figure to circle the earth and to help it to heal. The flower emerged as a symbol of pure unconditional love that remains in us when that someone has gone. The hat and the flower have appeared in a few paintings over the years perhaps related to this thought.
As children we believe in magic., everything is possible, I think we need that now.
Artwork detail:
Print from an original water- soluble oil and acrylic painting.
Hand signed print and hand -written letter to the person it is for, explaining the development of the painting.
A Getaway – Medium Adult by Vasilis Thalassinos
£220.00
Sold out
Original painting. " I’m there and yet missing. From one bus stop to the next, you’re captured in a moment so vivid you think it’s gonna last forever. It never does. You meet me again on page 28, but I’m not the same. No matter how many times you try to register me on your inner chest, I’m slipping away. We both know it; incompleteness is the best quality gasoline to keep on moving." --- Vasilis Thalassinos
A Getaway – Medium Adult
Mixed media on high-density and lightweight commercial board, 42 x 29.5 cm (0.5 cm thick)
you can see more of his works in Artist in Residence 2020
: part of the ongoing project A Getaway
A Getaway – Conflict by Vasilis Thalassinos
£220.00
Sold out
Original painting. " It might seem as if fragments disappear but every now and then they echo off their owners, sometimes demanding retaliation, sometimes just yawning. One way or the other the conflict never stops, so stand still, if only for a tiny moment, and spit your madness into the void again." --- Vasilis Thalassinos
A Getaway – Conflict
Mixed media on high-density and lightweight commercial board, 42 x 29.5 cm (0.5 cm thick)
you can see more of his works in Artist in Residence 2020
: part of the ongoing project A Getaway
A Getaway – Teetotum by Vasilis Thalassinos
£220.00
Original Painting: "Life is spinning like a teetotum, and the rules of the game can change at any given moment. While repetition and uncertainty are flooding the map, some wildflowers swim towards the unavoidable oblivion. Their lifespan is not the lead actor of the show, but just a pleasant interval between the myriad Acts of eternal night."--Vasilis Thalassinos
A Getaway – Teetotum
Various types of markers on high-density and lightweight commercial board,
42 x 29.5 cm (0.5 cm thick)
you can see more of his works in Artist in Residence 2020
: part of the ongoing project A Getaway
Living in Isolation by Warwick Stein
£55.00
Limited Edition of 50, Signed. Open water, yet the reflection of the trees on the water created this beautiful heart shape on the Leeds Liverpool Canal.
Size: A4 21 x 29.7cm
Artwork detail:
So many loved ones are living alone or with only memories of loved ones. This Swan swims within that heart shaped love.
Open water, yet the reflection of the trees on the water created this beautiful heart shape on the Leeds Liverpool Canal.
About artist:
Over the last 20 years Warwick's project has taken his career through a broad range of photographic commissions. A feature film, ‘Freight’(Stuart St Paul) and TV stills photography including ‘Married, Single, Other’ ( ITV), ‘The Sparticle’ Mysteries, (BBC) and ‘ The Syndicate’ ( BBC).
In his own words:
I have spent many hours doing Hair & Beauty photography for Wella/Sebastian Professional and fashion designers..including Yahya Al Bishri. This has given me pleasure in creating what makes a portrait artistic, not just commercial.
Follow along on my Insta @WarwickStein for more of my everyday life.
Goa-n Fish-ing by Warwick Stein
£85.00
Limited Edition of 19. Signed. Taken in Goa, showing the depth of colour of fresh fish even when viewed against the bright blue of the boat.
Goa-n Fish-ing
Limited edition number: 19
Size: A2 59 x 42 cm
Medium: Digital
Artwork detail explain:
Some benefit from lockdown, pollution has been reduced, fishermen ashore…so the fish population increases.
Image was taken in Goa, showing the depth of colour of fresh fish even when viewed against the bright blue of the boat.
you can see Warwick Stein's works in the exhibition, A World without End
Goa-n Fish-ing
Limited edition number: 19
Size: A2 59 x 42 cm
Medium: Digital
Artwork detail explain:
Some benefit from lockdown, pollution has been reduced, fishermen ashore…so the fish population increases.
Image was taken in Goa, showing the depth of colour of fresh fish even when viewed against the bright blue of the boat.
you can see Warwick Stein's works in the exhibition, A World without End
Social Gathering by Warwick Stein
£79.99
Limited Edition of 19, Signed. A scene which brings memories of times past that we took for granted.
Social Gathering
Size: A3 29.7 x 42 cm
Medium: Digital Photograph, signed.
Artwork detail:
Diverse mix of colours and people on Scarborough Beach. A scene which brings memories of times past that we took for granted.
Concept:
Life before Covid: A pleasure activity that may not be possible ever again. People, some strangers, mixing together without fear.
About artist:
Over the last 20 years Warwick's project has taken his career through a broad range of photographic commissions. A feature film, ‘Freight’(Stuart St Paul) and TV stills photography including ‘Married, Single, Other’ ( ITV), ‘The Sparticle’ Mysteries, (BBC) and ‘ The Syndicate’ ( BBC).
In his own words:
I have spent many hours doing Hair & Beauty photography for Wella/Sebastian Professional and fashion designers..including Yahya Al Bishri. This has given me pleasure in creating what makes a portrait artistic, not just commercial.
Follow along on my Insta @WarwickStein for more of my everyday life.
Refugee Boat by Jay Handy
£370.00
Original Monoprint. A juxtaposed setting: a capsizing boat in the Mediterranean filled with refugees (Syrians) while two beach goers appear unfazed while on holiday.
Refugee Boat
28x46cm,
Drypoint etching with Chine Colle on paper
Artwork Concept
A juxtaposed setting: a capsizing boat in the Mediterranean filled with refugees (Syrians) while two beach goers appear unfazed while on holiday.
An insight into Handy’s printmaking process:
I attempt to capture a time, place, or circumstance generally stemming from a long-lost photo. From there, I engrave lines into either a copper or acrylic plate that is corresponding with the photo. I will take the captivating subject of the picture, using the method called “chine collé,” and adhere the image to the art sheet of paper, sending it through the press at 1400lbs of pressure along with the ink-filled engraved lines on the plate. The ink and the delicate tissue paper with the image all become one piece.–Jay H.
Jay Handy was living in foster care during his teens. His art today reflects the synthesis of a natural nostalgia for youth and his tumultuous past. While he experimented with encaustic painting, Jay finally settled upon a unique formula that has become the language through which he creates the otherworldly atmosphere his work is known for — etching and chine collé.
You can see Handy's artwork in the exhibition.
Pocket Full of Posies by Jay Handy
£370.00
Original monoprint. Who is most joyous between the children and the adults when circling in a dance?....
Pocket Full of Posies
28x46cm, Drypoint etching with Chine Colle on paper
It is sometimes difficult to determine who is most joyous between the children and the adults when circling in a dance.
An insight into Handy’s printmaking process:
I attempt to capture a time, place, or circumstance generally stemming from a long-lost photo. From there, I engrave lines into either a copper or acrylic plate that is corresponding with the photo. I will take the captivating subject of the picture, using the method called “chine collé,” and adhere the image to the art sheet of paper, sending it through the press at 1400lbs of pressure along with the ink-filled engraved lines on the plate. The ink and the delicate tissue paper with the image all become one piece.–Jay H.
Jay Handy was living in foster care during his teens. His art today reflects the synthesis of a natural nostalgia for youth and his tumultuous past. While he experimented with encaustic painting, Jay finally settled upon a unique formula that has become the language through which he creates the otherworldly atmosphere his work is known for — etching and chine collé.
You can see Handy's work in the exhibition.
Push Me Please by Jay Handy
£370.00
Original Monoprint, The thrill from the effortlessness when pushed while on a swing....
Push Me Please
28x46cm,
Drypoint etching with Chine Colle on paper
Artwork Concept:
There is a thrill from the effortlessness when pushed while on a swing. Having someone do this is a one to keep close.
An insight into Handy’s printmaking process:
I attempt to capture a time, place, or circumstance generally stemming from a long-lost photo. From there, I engrave lines into either a copper or acrylic plate that is corresponding with the photo. I will take the captivating subject of the picture, using the method called “chine collé,” and adhere the image to the art sheet of paper, sending it through the press at 1400lbs of pressure along with the ink-filled engraved lines on the plate. The ink and the delicate tissue paper with the image all become one piece.–Jay H.
Jay Handy was living in foster care during his teens. His art today reflects the synthesis of a natural nostalgia for youth and his tumultuous past. While he experimented with encaustic painting, Jay finally settled upon a unique formula that has become the language through which he creates the otherworldly atmosphere his work is known for — etching and chine collé.
You can see Handy's work in the exhibition.
Mata Hari: The Self by Daphne Ang
£380.00
Original Painting, ‘Mata Hari: The Self’, ...I am full, filled, and fulfilled...
Mata Hari, Pagi Bintang,
With you I shine, an incandescent light
You have the best and the rest of me
We will be the brightest stars in the sky
A fire ignites in me
I am full, filled, and fulfilled
Deep and precious are the experiences
We share – the mundane and the sublime
Another dimension with you
Another dimension in you
‘Mata Hari’
Acrylic on canvas board
30 x 20inches (76cm x 50.8cm)
In ‘Mata Hari: The Self’, the picture has turned into night. The white-hot streak of pure light that penetrates through the centre of the image stands in stark contrast with the absolute blackness of the background. ‘Mata Hari’ is a painting based on a poem by the artist whereby she describes the experience of the lifting of the “self” from the darkness of the unconscious into the light of consciousness through a connection with another.
“My work is heavily inspired by the writings of Carl Jung and his work into understanding the human psyche and the deep unconscious. My paintings depict and articulate the ‘abstract unconscious’ through the use of active imagination, a method of meditation used in analytical psychology which refers to the process and method of introspection which opens up the psyche and its inner world of images, allowing the intangible unconscious contents to be expressed in tangible forms and creative works.”
The brilliant white light (‘Mata Hari’) can be seen as a visual manifestation of the light of the Self, and it is shown emerging like quicksilver from the darkness of the unconscious and becoming visible to the conscious mind. The rays of golden light emanating from the top left bind the numinous scene together in aesthetics and in meaning. Distilled through the process of abstraction (whereby line and colour textural relationships become the sole means of expression), it is in the abstraction of forms and purity of colour that pure emotion and meaning finds form.
Work detail.
Done on Winsor & Newton Canvas Boards which are sturdy, high-quality cotton canvas laminated onto a stable board and stretched by hand, then prepared with acid-free sizing and two coats of pigmented primer. The surface is finished with Golden Archival Aerosol Varnish MSA with UVLS that resists changes in appearance, remains flexible and is removable for conservation purposes. Painted with professional grade materials and mediums from the Liquitex and Golden Acrylics Professional range.
Spring Is Here-But We Are Not-The Shadow by Daphne Ang
£490.00
Original painting. ‘The Shadow’ is based on the notion that there parts of our self we suppress which we suppress into our unconscious mind.
Size: 24 x 18 x 1.3 inches (60.8 x 45.6 x 3.5 cm)
Medium: Acrylic and India ink on deep edged stretched canvas with a depth of 1.3 inches (3.5cm)
Artwork detail :
‘Spring Is Here (But We Are Not): The Shadow’
Acrylic and Chinese ink on canvas
24 x 18 inches (61 x 46 cm)
‘The Shadow’ is based on the notion that there parts of our self we suppress which we suppress into our unconscious mind. Hidden from plain sight in our conscious mind, the shadow is a concept of Carl Jung's and can be understood as being a darker version of the Self in ourselves which remain concealed in our unconscious mind.
Our shadow consists of manifestations or characteristics of our personality that exist in our unconscious. This may include aspects of the Self –– not one’s conscious self (personality) but Self as in a sense of one's whole being. Aspects of the Shadow include sides of us that we may not want others to see, versions of ourselves that we repress due to life circumstances such as artistic abilities, or for the very fact that it is not needed in at that very point in one's conscious life.
While we all have dark aspects of our psyche, the shadow is however not always a negative thing, for there is great richness that springs from it. To acknowledge its existence and find out it's nature allows one to activate it in times where a harder approach is needed.
"One of the things I do with my studies and work with Jungian psychology is learning how to harness the Shadow from the unconscious to balance the conscious ego, and to be able to so-called, ‘summon the shadow’ in times of need."
However, just as light cannot exist without darkness and vice versa, we need to rebalance the psyche and send the shadow back to the unconscious after it becomes no longer needed. This involves performing symbolic personal ritual after one encounters a situation whereby the shadow is activated for whatever reason.
Concept:
‘The Shadow’ is a visual manifestation of the inner workings as a result of performance of this symbolic ritual involving the act of summoning and purging one’s shadow to and from the realms of the unconscious. In this painting, the shadow glows with a luminous pearlescent iridescent lustre, conferring it with both a numinous and ghost-like quality. It visualises the shadow as a divine yet haunting spectre as it makes its journey rising up from or descending back to the darkness of the unconscious.
Hidden from plain sight in our conscious mind, the shadow is a concept of Carl Jung's and can be understood as being a darker version of the Self in ourselves, which remain concealed in our unconscious mind.
Created as part of the series ‘Spring Is Here (But We Are Not), ‘The Shadow’ was executed as part of the artist’s investigation into the polarities of darkness and light, and how to depict this with paint. The need to traverse the full spectrum in order to find the middle ground between the polarities of black and white –– and of the meaning and experience of life, is the central theme of these experimentations.
Painted during the lockdown imposed during the flu pandemic of 2020, the search for the transcendental equilibrium amidst these highly uncertain times is the main message behind this work.
This work was executed using high quality professional grade materials and mediums from the Liquitex and Golden Acrylics Professional range. Done on a Loxley Gold 3D canvas with a depth of 1.3", making framing unnecessary. The works are also finished with archival standard sealant with UV protection (Golden Polymer Varnish), which gives a protective flexible dust-resistant surface. This varnish is removable with ammonia for restoration purposes if needed. A non-removable isolation coat was applied over the painting prior to varnishing; giving an extra layer of protection if/when the varnish is removed.
Equilibrium-Black-White by Daphne Ang
£250.00
Original painting. Inspired by Jungian analytical psychology and concepts of the individual and collective unconscious, ‘Equilibrium/Black-White’ is a visualisation of the individual unconscious.
Size: 12 x 10 inches (30.5 x 25.4 cm)
Medium: Acrylic and Chinese ink on canvas board
Artwork detail:
'Equilibrium/Black-White’
Acrylic and Chinese ink on canvas board
12 x 10 inches (30.5 x 25.4 cm)
“The longing for light is the longing for consciousness.” Carl J. Jung
A central feature in the artist’s practice is her use of the act and medium of painting as a vehicle for the transmission, articulation and interpretation of the images that arise from the dialogue between consciousness and the unconscious mind.
Done on a Loxley acid-free cotton canvas board, the surface is finished with Golden Archival Aerosol Varnish MSA with UVLS that resists changes in appearance, remains flexible and is removable for conservation purposes. Painted with professional grade materials and mediums from the Liquitex and Golden Acrylics Professional range.
Instead of painting layers upon layers, a process involving repeated steps of re-working, de-construction (sometimes destructing) over an extended period of time, the following selection of works represent a different facet of the artist's repertoire.
This series were painted in one session using a limited palette of with black and white, as well as a range of reflective paints such as metallic, iridescent and interferences paints. A central effort permeates all these works –– each striving for the synthesis of opposites through the use of blending black and white paint in order to traverse and experience the entire monochromatic spectrum.
“The act of painting always mirrors something inside me, and my paintings always echo and chimes with the same melody as within me. For this reason, I see abstract painting as providing the best possible expression for something unknown, the stuff of the sublime and divine. Painting the abstract opens up the possibilities of interpretation and allowing others to see different things without limiting the imagination. Distilled through the process of abstraction whereby line and colour textural relationships become the sole means of expression, it is in the abstraction of forms and purity of colour that pure emotion and meaning finds form.”
These works are manifestations of the artist’s meditations on questions regarding the polarities encountered in life. These introspections have arisen out of a journey to seek wholeness and unity of the Self –– the path of individuation. Be it in nature, science, or in our inner psychic world, the confrontation and clash of the opposites is merely a compensation of two polarities in a spectrum seeking unity and balance. All opposites seek to achieve a state of equilibrium; energy is re-distributed from interactions between hot/cold, high/low –– thereby to have the ability to hold the opposites together, and the awareness of the spectrum on which these dichotomies exist, is to rise out of our primal darkness.
Inspired by Jungian analytical psychology and concepts of the individual and collective unconscious, ‘Equilibrium/Black-White’ is a visualisation of the individual unconscious. A central feature in the artist’s practice is her use of the act and medium of painting as a vehicle for the transmission, articulation and interpretation of the images that arise from the dialogue between consciousness and the unconscious mind.
Untitled by Kevin Derbyshire
£28.00
Limited Edition of 100. Hand signed print. A face of some kind, with a spiritual connection as it started out as the face of Mary....
Size: measure in centimetre
21 w x 29.7 h
Medium:
Print on high quality acid-free paper from artists original painting.
Artwork detail explain:
Hand signed print.
Hand signed print from an original mixed-media painting made with Acrylics, oils, ink, silicone sealer, emulsion, bleach, found material on canvas.
Artwork Detail:
‘World’ and face within a starry dark sky.
Artwork Concept
This is compatible with the theme ‘World without end’ as it appears to represent a ‘world’ within a starry dark sky and also a face of some kind, with a spiritual connection as it started out as the face of Mary. This was completed in 2019 after several years of intermittent work.
Moon and World by Kevin Derbyshire
£28.00
Limited Edition of 100. Hand signed print from an original mixed-media painting.
Moon and World
Size: measure in centimetre
21 w x 29.7 h
Medium:
Print on high quality acid-free paper from artists original painting.
Artwork detail explain:
Hand signed print.
Hand signed print from an original mixed-media painting.
Concept
The moon in an embrace with the world or perhaps breaking away from the world (allowing both to be born).
Indian Summer by Tracy Nors
£195.00
Original Painting, un-framed, Indian Summer, yellow, landscape, blue sky, abstract
Indian Summer,
Size:
30 x 30cms
Medium:
Acrylic
Tracy Nors. UK.
The Coastline of East Sussex is the inspiration for my expressive landscape paintings. I know the place very well but the mood and atmosphere changes every time walk there. There is so much sky and glimpses of sea amongst the cliffs and fields. Colour is of huge importance to me as it has the ability to evoke many emotions. I begin in an intuitive way, making marks from memory that are a reflections of my experiences on my walks. I work expressively and spontaneously up to a point where the painting starts to form a sense of place but is also abstracted. The application then becomes more directed. I build up layers by adding and subtracting, imparting details of a place which are also open to interpretation from the viewer. Sometimes there may be more figurative elements appearing; hints of figures, boats or buildings. I hope to capture the atmosphere of a place so that the viewer is engaged on an emotional as well as visual level. Recent paintings move further away from the reality of realism in the landscape towards abstraction and contain both fragments of the real and the imagined. Shapes and colours are used to produce painterly improvisations that are my perception of the world around me. CV: Educated to MA level in Visual Arts. I work as a professional Artist and personal tutor. I Have been Artist in Residence 4 times including Birmingham and Coventry Museums, and Warwickshire Arts for Education. Former Lecturer in illustration UWE Bristol and Stafford College. Former Gallery owner and Curator at Galleri Excentrisk Denmark. Various recent exhibitions venues including, Portico Gallery Seven Oaks, Advocet Gallery, Small Hythe Gallery. Brighton open Houses 2010-2013. South East open Studios 2019.
you can see Nor's works in our Exhibition.
Hope by Tracy Nors
£450.00
Original Painting.The splash of red in the sky like a beacon
of hope.
Size: measure
50 x 50 cms
Acrylic on Canvas
A landscape image on canvas with a positive feel. The splash of red in the sky like a beacon
of hope. (unframed)
---
Landscape, sky, clouds, sea, abstract, colourist.
Boats by Tracy Nors
£395.00
Original Painting. An abstract image of a landscape with rowing boats.
40 x 40 cms
Medium: Acrylic on Canvas
An abstract image of a landscape with rowing boats. On canvas (unframed)
About artist:
I am essentially a Colourist.
I'm obsessed by how a tiny amount of one colour against others, can elevate a painting to another level. I don't paint any one place as it exists, as a literal interpretation, as this doesn't interest me. My work is abstracted.
My landscapes draw both from my surroundings on the South Coast of England and the visual vocabulary I have amassed in my brain. I begin by using colour intuitively, creating shapes, rhythms and marks within the canvas. I work in layers, adding and subtracting until a harmony is reached and the painting 'sings'. I sometimes add figurative elements but often also work completely abstract. I hope to engage the viewer on an emotional as well as a visual level.
-----
abstract, landscape, seascape, boats, yellow, colourist.
You can see Nors' works in the Exhibition.
SOLD-Lost not Found by Kieran Jack Rook
£500.00
Sold out
Original Painting. It is in these times that we begin to question what does it mean to be human within the absurdity of it all?
‘Lost not Found’
Size:
100 x 70 CM
Medium:
Oil paint
Artwork detail:
Here we bare witness to a scene set in what looks to be a very small kitchen. A large fluffy-slipper-wearing androgynous figure cloaked in floral dress appears as if they are attempting to climb into a cupboard or escape through a widow. The whole affair appears awkward and uncomfortable.
Concept:
During these trying times, of distance and isolation, with the world down on its hands and knees begging for some kind of respite from the unabating elephant in the room. It’s hard not do a little overthinking, so you work yourself up, and loose a little faith in reality and what it means to be human (just me?). With ‘Lost not found’ I am unclear as to whether this is solely a self-portrait or I have just used my portrait as a surrogate figure for anyone struggling alone in isolation experiencing some form of existential crisis in one way or another. The lack of uncertainty for the future, the loss of life, of jobs, and economic hardship, can be bewildering for those suffering in silence. What has been brought to light, as we all close our doors and cower away, with only a certain few martyrs holding fort through this tempest, is the feeling of helplessness with the breakdown of society into a form of Orwellian nightmare. It is in these times that we begin to question what does it mean to be human within the absurdity of it all? However the glimmer of hope is our memories, our memories of better times, and if we just hold on for a while longer, we will be able to create new memories, together.
-------
Oil painting, figuration, Post-digital surrealism, existentialism.
Stir Crazy by Kieran Jack Rook
£1,000.00
Original Painting. During these trying times, of distance and isolation, with the world down on its hands and knees begging for some kind of respite from the unabating elephant in the room...
‘Stir Crazy’
150x100 CM
Medium:
Oil paint on canvas
Artwork detail explain:
An uncharacteristically large male figure sits on a small unmade bed, resting both arms upon his knees, fingers interlocked, with his distorted swirling face looking out disconcertingly making eye contact with the viewer. He sits still, in an aged nondescript room. Behind the figure, to the right of the room, drawn-open dingy dated curtains reveal a predatory corporate mascot knocking at the window. On the adjacent wall a trompe l'oeil mural simulates the replica of the 35,000-year-old cave art masterpiece the French government funded. The simulacra of wild fauna appears as though they are fleeing in the opposite direction from the corporate mascot, however unbeknownst to them they are merely one in the same. In the bottom left of the painting we find two tiny figurines dancing with one another, in a dream-like foray of reverie, upon a table, under the tungsten glow of a single bedside lamp.
Concept:
During these trying times, of distance and isolation, with the world down on its hands and knees begging for some kind of respite from the unabating elephant in the room. It’s hard not do a little overthinking, so you work yourself up, and loose a little faith in reality and what it means to be human (just me?). With ‘Stir Crazy’ I am unclear as to whether this is solely a self-portrait or I have just used my portrait as a surrogate figure for anyone struggling alone in isolation experiencing some form of existential crisis in one way or another. The lack of uncertainty for the future, the loss of life, of jobs, and economic hardship, can be bewildering for those suffering in silence. What has been brought to light, as we all close our doors and cower away, with only a certain few martyrs holding fort through this tempest, is the feeling of helplessness with the breakdown of society into a form of Orwellian nightmare. It is in these times that we begin to question what does it mean to be human within the absurdity of it all? However the glimmer of hope is our memories, our memories of better times, and if we just hold on for a while longer, we will be able to create new memories, together.
------
Oil painting, figuration, Post-digital surrealism, existentialism.
Being at home in a memory every day by Peter van Toth
£500.00
Original Painting. From the Home series.
Being at home in a memory every day
Size: measure in centimetre
W 70 x H 100 x D 2 cm
Medium:
Oil on canvas
Artwork detail explain:
unframed, ready to ship
Concept:
"From the Home series. My art is a subtle process to focus my being and recreate the building blocks of my consciousness, to enfold the inevitable and what is closest, yet I am most blind of. In this process I often start with the most mundane, everyday situation, or with those who are closest and dearest. Like following my own breath, I dig to deeper levels of reality that are in front of me, yet escaping the superficial observer." -Peter van Toth
Kokeshi doll by Peter van Toth
£300.00
Original painting. From the Tangible series.
Kokeshi doll
Size: measure in centimetre
W 46 x H 61 cm
Medium:
Oil on wood panel
Artwork detail explain:
unframed.
Rorschach Landscape by Laura Courtney
£275.00
Only a few left!
Limited Edition of 5. Signed. A high quality Hahnemüle German Etching Giclée print. 'Cycles within cycles, unwittingly creating patterns that we suddenly come upon or dream of in some surreal realm.'
‘Rorschach Landscape’
Size:
30 x 40 cm
Medium:
Print version of original work on high quality Hahnemüle German Etching Giclée paper
Artwork detail:
Unframed print
‘All work is checked in Paris and signed by the artist before shipping. Due to Covid 19 delays in the postal service, shipments can take from 10 to 21 business days after purchase for all shipping outside of France.'
About Artwork:
Cycles within cycles, unwittingly creating patterns that we suddenly come upon or dream of in some surreal realm
‘Big enough to illuminate a hundred thousand billion galaxies and just small enough to fit in my embrace’ by Laura Courtney
£475.00
Only a few left!
Limited Edition of 5. The vibrant landscape and mercurial weather of Provence in the South of France inspired this work.
‘Big enough to illuminate a hundred thousand billion galaxies and just small enough to fit in my embrace’
Size: measure in centimetre
76 x 100 cm
Artwork detail :
Unframed print
‘All work is checked in Paris and signed by the artist before shipping. Due to Covid 19 delays in the postal service, shipments can take from 10 to 21 business days after purchase for all shipping outside of France.'
About the work:
The vibrant landscape and mercurial weather of Provence in the South of France inspired this work.
You can See Courtney's paintings in the Exhibition.
Leda & The Swan - after Boris Mikhaïlov -Fotozeit Salzau VII by Laura Courtney
£275.00
Limited Edition for 10, signed. A mythical landscape as the backdrop for one of the great human myths that has inspired poets and painters for centuries.
A high quality giclée print unframed.
'Leda & The Swan' - after Boris Mikhaïlov “Fotozeit Salzau VII"
Size:
40 x 30 cm
Medium:
Giclée Print (Hahnemüle German Etching paper) of an Original artwork is oil and wax on board.
Print version of original work on high quality Hahnemüle German Etching Giclée paper
Note:
‘All work is checked in Paris and signed by the artist before shipping. Due to Covid 19 delays in the postal service, shipments can take from 10 to 21 business days after purchase for all shipping outside of France.'
Concept:
This work is the centre piece of a body of work inspired by mythology, the timeless wisdom of The Vedas and European landscapes. Ancient Vedic texts describe the material world arising from a cosmic triad of forces, creation, maintenance and destruction. The force of maintenance is necessary for the other 2 to exist with integrity for at least some passage of time and then move to the opposite state. From this interplay comes Nature, the human narrative and the great leveller, Time. Kings, kingdoms, species and life as we know it comes and goes but the greatest creator Nature remains and that is a world without end. The story of Leda and the Swan has inspired poets and artists throughout our civilisation. For me there exists a tantalising, innocent moment as Leda (who has perhaps never seen a swan) is so enraptured by the beauty of this unique animal and unaware of it’s true status, beckons to it, thereby sealing her fate and the tragic outcome that continues for generations.
View of Hobart from Mount Nelson , Tasmania by Lawrence Mathias
£320.00
Original Watercolour. The painting presents a serene kind of landscape, but as with all such pictures, there is a much deeper and often troubled narrative behind the painted surface.
Vitsa 1: View of Hobart from Mount Nelson , Tasmania
38x28cm. Watercolour on watercolour paper
The picture is done in a succession of watercolour washes, with a carefully managed perspective and balance of tones and colours.
The picture revisits an older style of landscape painting, with the idea of lofty foreground trees framing a grander view, stretching away into the distance. It presents a serene kind of landscape, but as with all such pictures, there is a much deeper and often troubled narrative behind the painted surface.
You can see Mathias's works in the Exhibition.
View across Eagle Point Grand Canyon Arizona by Lawrence Mathias
£400.00
Original Watercolour. The painting seeks to explore the complex contours and strata of the enormous West Rim rock face...
Vitsa 31: View across Eagle Point, Grand Canyon, Arizona, USA
Size: 65x38cmcm.
Watercolour on watercolour paper
Artwork Detail:
A large watercolour done in an applied style with emphasis on more methodical, detailed work. Washes are spare and attention is played to the careful working out of the structure within the subject
The painting seeks to explore the complex contours and strata of the enormous West Rim rock face. In so doing, the viewer is invited to experience Wirth the artiste process of disentangling its dense rock sequences, and contemplate the scale and power of ancient geological process.
View across canal with gondolas Venice by Lawrence Mathias
£350.00
Original Watercolour on watercolour paper.The style of this watercolour aims for some of the freshness of past painters of Venice, like John Singer Sargent.
Vitsa No 2: View across canal with gondolas, Venice
56x38cmcm.
Artwork detail:
A fairly large watercolour study done with spontaneity and speed to capture the play of light and shadow on water. There is no underdrawing, and the picture is built up with solid blocks of colour and washes.
The style of this watercolour aims for some of the freshness of past painters of Venice, like John Singer Sargent. It takes a rather beautiful but commonplace Venetian viewpoint and explores the interplay of bright sunlight on the gondolas and water, as well as the shadowed facades of buildings across the canal.
More or Less by Ugo Li
£300.00
Original Painting. QUARANTINE, #1day1drawing series.
Oil on Paper.
29.7 x 42 cm
About Artist:
Ugo Li. Paris, France
Ugo Li, born in 1987, is a French painter, who is currently living and working in Paris. His bold, pictorial and often abstract work appropriates and reinterprets the visual signs of today’s society. Everyday inspiration: Ugo Li was surrounded by creativity from an early age, being raised in his father’s artist studio and following his parents around art galleries. His work is highly personal, inspired by both major life events and the small everyday moments that constitute one's existence. His paintings explore the intersections of dreams, memory, personal history and daily life. Media Musings: Ugo Li often takes his inspiration from the colourful advertising that pervades society. He plays with words and slogans that appear isolated on the canvas and are intended to provide more of a pictorial purpose since they are removed from their original commercial context. For Ugo Li the canvas becomes a place for him to project his emotions, he often removes and repaints the work until he is happy with the dialogue that has emerged. Emerging Talent: Ugo Li has exhibited in both solo and group shows internationally in countries such as, the United States, Thailand, Canada and France. His work belongs to collections around Europe.
You can see Li's works in our Exhibition.
Social Distancing by Ugo Li
£380.00
Original Painting. SOCIAL DISTANCING.
Oil on paper,
59,4x84cm, 2020
About:
-Everyday inspiration
Ugo Li was surrounded by creativity from an early age. His father was in fact a painter and he spent much of his childhood following his parents around art galleries, so it seemed only natural that he should become a painter. Ugo Li’s work is highly personal, inspired by both major life events and the small everyday moments that constitute one's existence. His paintings explore the intersections of dreams, memory, personal history and daily life.
-Media Musings
Ugo Li often takes his inspiration from the colourful advertising that pervades society. He plays with words and slogans that appear isolated on the canvas and are intended to provide more of a pictorial purpose since they are removed from their original commercial context. For Ugo Li the canvas becomes a place to project his emotions, he often removes and repaints the work until he is happy with the dialogue that has emerged.
-Emerging Talent
Ugo Li has exhibited in both solo and group shows internationally in cities such as, New York, Bangkok, France and Montreal. His work belongs to collections around Europe.
Cancellation By Ugo Li
£350.00
Original Painting. Ugo Li’s work is highly personal, inspired by both major life events and the small everyday moments that constitute one's existence.
Cancellation
Oil on paper
42x59,4cm , 2020, FRANCE , Paris
About:
-Everyday inspiration
Ugo Li was surrounded by creativity from an early age. His father was in fact a painter and he spent much of his childhood following his parents around art galleries, so it seemed only natural that he should become a painter. Ugo Li’s work is highly personal, inspired by both major life events and the small everyday moments that constitute one's existence. His paintings explore the intersections of dreams, memory, personal history and daily life.
-Media Musings
Ugo Li often takes his inspiration from the colourful advertising that pervades society. He plays with words and slogans that appear isolated on the canvas and are intended to provide more of a pictorial purpose since they are removed from their original commercial context. For Ugo Li the canvas becomes a place to project his emotions, he often removes and repaints the work until he is happy with the dialogue that has emerged.
-Emerging Talent
Ugo Li has exhibited in both solo and group shows internationally in cities such as, New York, Bangkok, France and Montreal. His work belongs to collections around Europe.
Bowl of Bollacks by Mark James Nicholls
£450.00
Original painting. A classical still life? Or cartoon balls?...
Name:
Bowl of Bollacks
Size: measure in centimetre
20cm x 20cm
Medium: oil on canvas
Artwork Concept:
A classical still life? Or cartoon balls?
A comment on the choices of modern male beauty? Hairy or not hairy?
Or an emasculation? What did happen to their owners?
A palette of restful, purples and pinks? Or a livid and painful trophy?
A comment on the pointlessness of opinion? Or just a bowl of Bollacks?
About Artist:
Mark James Nicholls. UK
Mark J. Nicholls is a contemporary artist who lives and works in West Cornwall. He was born and bred in Newlyn, where he also now supports his living by running Jelberts Ice cream shop in the summer months. This provides him the winter time to totally dedicate himself to his art. He currently works out of an historic artists studio, also in Newlyn. Nicholls studied Fine Art at the University of Brighton, followed by an MA at the Royal College of Art. He has participated in group exhibitions in the USA, London, Bristol and Cornwall and has had solo exhibitions in London and Cornwall, most recently at Daisy Laing Gallery, Penzance. He has been the recipient of awards from The Arts Council, South West Arts, the Daler Rowney Drawing Award and a studio residency in the USA, amongst others. Nicholls’ work is characteristically robust and visceral but his composition and use of colour vividly demonstrate his painterly technique. Classical portraits and still lives are rendered in bright purples and oranges and muted greys and his familiar pictorial motifs such as clock-faces, shoes and cigarettes feature prominently. His work is based on the human condition and using figuration as a base-point. As Nicholls says, “I like to make work that first and foremost pushes, excites and surprises me. I feel my job as an artist is to not illustrate or decorate but to make work that provokes and entertains in the way that art makes possible.” As a graduate of the Royal College of art, Nicholls’ influences are undeniable. Picasso, Bacon and Philip Guston all make appearances but Nicholls’ adds his own absurdist and contemporary perspective to a familiar iconography. Nicholl's own take on classical portraiture is a feature of his work, and the Pope is now a regular in his cast of characters. From Velasquez to Bacon to Nicholls, his Popes are now more grotesquely comic than their previous iterations. However for all its art historical context and contemporary cultural reference his work retains a powerful energy and vibrancy that stems from Nicholls’ instinctive and almost automatic approach to creation. As he says, “I am unsure why and what I am doing painting. But the need to make images is stronger than ever”.
You can see Nicholls's works in our Exhibition.
Cornish Superhero by Mark James Nicholls
£420.00
Sold out
Original Painting.Is this a time for superheroes? If so what should our contemporary superheroes look like?
Cornish Superhero
Size:
36cm x 36cm
Medium:
collage and gouache on paper
Artwork detail:
collage and gouache on paper
2020
Concept:
Is this a time for superheroes? If so what should our contemporary superheroes look like? Not wearing a cape that’s for sure. This second-hand scrapbook superhero seems to suit our times, just as the piece itself is a collage of found and out of context images. He’s got Rembrandt’s nose, but there’s a smart phone ready for a selfie. Is the scallop face mask something to hide behind, or a death mask skull. Fatboy, the Cornish superhero might not be fit for purpose but he does seem fit for the times.
Influencer by Mark James Nicholls
£470.00
Original Painting. In a locked-down world of confused references, the lives of others become our window on reality and we become the influenced, randomly following the influencer. Time to “unfollow”?
Version 1: Influencer
Collage and gouache on paper.
33cm x 56cm
Concept:
Scroll down - swipe right - swipe left - scroll up; our unfiltered social media feeds present “Influencer”. A fabrication of classic and ephemeral images. A fragmented, torn-up style icon in which Star Wars characters peer out from a cut-up Warhol’s Marilyn. A bright but empty light that no moth can resist. In a locked-down world of confused references, the lives of others become our window on reality and we become the influenced, randomly following the influencer. Time to “unfollow”?.
Starstruck by Alexandra Kraplya
£35.00
Only a few left!
Limited Edition of 5, signed self-portrait. From a performance-makeup artist with a wacky sense of humour.
Starstruck series can be viewed from different perspectives. For me, it's just a fantasy creature that has stars and moon instead of freckles. It could also represent a person who craves attention and fame. --Alexandra Kraplya
1:1 in digital file print in 20x16
Unframed.
it could be made in matt or glossy
Waiting time: Made to order.
Print and send from Ukrainian (the customer will be updated in every
step throughout the printing and deliver process.)
From a performance-makeup artist with a wacky sense of humour.
Head in the Clouds by Alexandra Kraplya
£25.00
Limited Edition of 25 signed self-portrait.
1:1 in digital file print in 20x16
Unframed.
it could be made in matt or glossy
Waiting time: Made to order.
Print and send from Ukrainian (the customer will be updated in every
step throughout the printing and deliver process.)
from a performance-makeup artist with a wacky sense of humour.
I have red line across my face. Looks dope by Alexandra Kraplya
£25.00
Limited Edition of 25 signed self-portrait.
1:1 in digital file print in 20x16
Unframed.
it could be made in matt or glossy, please make note when check out.
Waiting time: Made to order.
Print and send from Ukrainian (the customer will be updated in every
step throughout the printing and deliver process.)
from a performance-makeup artist with a wacky sense of humour.
L'enfance by Romain Chauvet
£500.00
Original Painting. Framed. Attempt of recomposing the lost fragments of artist's childhood.
L'enfance
Size: 60x100 cm
Medium: ink on paper, framed under glass
Artwork Concept:
Attempt of recomposing the lost fragments of artist's childhood.
You can see more of Chauvet's work in our Exhibition.
Ars by Romain Chauvet
£200.00
Original painting. Framed under glass.
Ars
Size: 30x40 cm
Medium: ink on paper
framed under glass
About the work:
Attempt of recomposing lost fragments of a relative time.
The drawing is not a message or manifesto, only a few signs produced by the interaction between imagination and reality, each being free to interpret these signs to create their own story.
La Zone by Romain Chauvet
£500.00
Origianl Painting. An attempt of recomposing lost fragments of artist's present life...
La Zone
Size: 60x100 cm
Medium: ink on paper; framed under glass
In his own words:
Attempt of recomposing lost fragments of my present life.
The inner journey taking precedence over the physical journey and the simple representation of the outside world. In this imaginary country I try to create unexpected, almost accidental, connections between disparate elements.
Portfolio, Fusca Red by Guilherme Bergamini
£200.00
Only a few left!
Limited Edition of 40, Signed.
Portfolio, Fusca Red.
Size:
50x75cm
Medium: Digital photography -Mineral pigment on cotton paper.
Photograph delivered in appropriate packaging without frame.
The photograph participated in group exhibitions and were published in several Brazilian
and foreign media.
You can read more about Bergamini and his rich body of work in Feature 2020
Education for all by Guilherme Bergamini
£450.00
Only a few left!
Limited Edition of 5.Signed. Awards: 4, Germany, Lithuania, Spain and Mexico.
Group exhibitions: 44 in 12 countries.
Review: 84 Vehicles, Magazines, Newspapers, TVs and Internet in 15 Countries
Size: measure in centimetre: 50x75cm
Medium: Digital photography - Mineral pigment on cotton paper.
Photograph delivered in appropriate packaging without frame
Amazon River by Guilherme Bergamini
£250.00
Only a few left!
Limited Edition of 15, signed. Exhibitions: 6 in 2 countries. Review: 8 Vehicles, Magazines, Newspapers, TVs and Internet in 3 Countries.
Size: measure in centimetre
30x45
Medium: Digital photography - Mineral pigment on cotton paper.
Photograph delivered in appropriate packaging without frame
About Artwork:
Guilherme Bergamini. Amazon River.
Macapá boasts that it is the only state capital to be bathed by the Amazon River. Between the high and low tides, the pair of beams turns into a football field popularly known as foot-mud. When the river goes down, the game begins, when the river rises, the match ends. The interaction of time as a factor of nature, with the simple passing of a rain, allows numerous shades. Between 15h 10 and 18h 50 when it’s at the low tide and colours vibrate in a unique and particular way of the State of Amapá.
Group exhibitions: 6 in 2 countries. Review: 8 Vehicles, Magazines, Newspapers, TVs and Internet in 3 Countries.
you can read more about Bergamini in our Feature 2020
Starry night No.09 by Hyeok Antonio Lee
£699.00
Original Painting. The shooting star represents a hope to get rid of the darkness, and the
Milky Way that huddles together represents Lee's overwhelming heart.
Starry night No.09
40.64 x 50.8 x 1.8cm cm
Acrylic paints on canvas.2019
£699 includes international free shipping.
Concept:
The human mind is as clear or vague as the stars in the night sky. Those stars,
hundreds of millions of light years away, are starry on my eyes. I try to reach
out to the bright stars and grab a handful, but only empty hands cut through
the air. The shooting star represents a hope to get rid of my darkness, and the
Milky Way that huddles together represents my overwhelming heart.
In his Own Words:
I believe if I can understand my inner self, I will be able to understand other people. A step toward its understanding begins by seeing the inner-side through Art.
I have attempted to visualize the human nature since when I was in military service in South
Korea. I’m very scared of war, like everyone, of course. But with me, this fear is more concrete, since I am a citizen of South Korea, which is constantly threatened with war by the other Korea in the north. I have always lived with this pressing fear of war, even though I have no direct experience of it. This life in South Korea naturally made me wonder about violence, conflicts between humans, and now not only violence but also other human nature are included in my aesthetic research category.
Starry night No.11 by Hyeok Antonio Lee
£699.00
Original Painting. The shouting star represents a hope in the darkness, and the Milky Way that huddles together represents artist's overwhelming heart.
Starry night No.11
50.8 x 40.64 x 1.8cm
acrylic paints on canvas 2019
About Artwork:
The human mind is as clear or vague as the stars in the night sky. Those stars, hundreds of millions of light years away, are starry on my eyes. I try to reach out to the bright stars and grab a handful, but only empty hands cut through the air. The shouting star represents a hope to get rid of my darkness, and the Milky Way that huddles together represents my overwhelming heart. --Hyeok Antonio Lee
You can see his work in the Exhibition.
Starry night No.12 by Hyeok Antonio Lee
£699.00
Original Painting. The human mind is as clear or vague as the stars in the night sky....
Starry night No.12
50.8 x 40.64 x 1.8cm
Acrylic paints on canvas.2019
£699 includes international free shipping.
Concept:
The human mind is as clear or vague as the stars in the night sky. Those stars,
hundreds of millions of light years away, are starry on my eyes. I try to reach
out to the bright stars and grab a handful, but only empty hands cut through
the air. The shouting star represents a hope to get rid of my darkness, and the
Milky Way that huddles together represents my overwhelming heart.
In his Own Words:
I believe if I can understand my inner self, I will be able to understand other people. A step toward its understanding begins by seeing the inner-side through Art.
I have attempted to visualize the human nature since when I was in military service in South
Korea. I’m very scared of war, like everyone, of course. But with me, this fear is more concrete, since I am a citizen of South Korea, which is constantly threatened with war by the other Korea in the north. I have always lived with this pressing fear of war, even though I have no direct experience of it. This life in South Korea naturally made me wonder about violence, conflicts between humans, and now not only violence but also other human nature are included in my aesthetic research category.
Freedom, Space and Time by Jen Orpin
£395.00
Original Painting. Like a 70's postcard sent back from a family holiday, these empty open road paintings are a response to journeys made, memories, nostalgia, love and loss.
Freedom, Space and Time
Size:
15x20cm
Medium:
Oil on canvas board
Artwork detail:
Like a 70's postcard sent back from a family holiday, these empty open road paintings are a response to journeys made, memories, nostalgia, love and loss. They are small in scale
Inviting the viewer in and up close adding an intimacy between the two, the narrative becomes theirs. Stopping and standing still can often make you take stock of where you've been, what you have and what you want.
We Will Come Out The Other Side Of This by Jen Orpin
£395.00
Original Painting. Like a 70's postcard sent back from a family holiday, these empty open road paintings are a response to journeys made, memories, nostalgia, love and loss.
We Will Come Out The Other Side Of This
Size:
15x20cm
Medium:
Oil on canvas board
Artwork detail :
Like a 70's postcard sent back from a family holiday, these empty open road paintings are a response to journeys made, memories, nostalgia, love and loss. They are small in scale
Inviting the viewer in and up close adding an intimacy between the two, the narrative becomes theirs. Stopping and standing still can often make you take stock of where you've been, what you have and what you want.
Remember the times of ice by Analia Adorni
£280.00
“Remember the times of ice”
In Two parts:
first part: :Oil on hardboard
second part: white
alabaster(Stone of Italy)
0,40x0,50m (“bassorelievo” in
alabaster stone) x2cm
0,40x0,50m painting in oil on
hardboard
Artwork Concept
I work putting the focus in the theme of Nature Challenges: nature is disturbed and reveals the consequences of the human’s violence. I studied the climate warming and their
consequences on the breakdown of glacials in some parts of the planet, specially Antarctica Many species of “flora” and “fauna” are with difficult for survive, with to climate change: for example: "The polar bear", who is forced to migrate constantly with the destruction of the masses of frost, he cannot move normally. The white alabaster stone (tipicaly in Volterra,
where I am living) is a soft material for sculpture that significate the white times of ice and glaciers.
Tempestad by Analia Adorni
£145.00
Original Painting. Reflection of the fragility of our planet and the need to take careful of it.
“Tempestad” by Analia Adorni
Size: 85 x110 CM
Mixed medium on hardboard.
Artwork detail:
The painting intends to reflect about the fragility in our planet and the need to take careful of
it. " In this period I am thinking about the relationships between 'climate challenges' and Covid-19, about “climate challenges and human actions”, in the relationships of nature/culture and the
influence of the men actions in the warming global. But, at the same time, this adversity is also an opportunity: after this adversity, I wish the world will be more in tuned with solidary and more creative. The relationships will change and the society, to remind us to enjoy simple things. " ---Analia Adorni
You can see Analia's paitning in the Exhibition.
Self portrait during the Lockdown. Artist in the Lockdown Series 2020 by Natalia Jezova
£79.00
Limited Edition of 20, signed. Staying at home on my own for twelve weeks during the lookdown and trying keep myself creative, I made a few self portraits using different gasmasks....
Size: 18x23cm
Medium: High quality photo print, fitted on foam board with the author’s certificate and signature.
Concept:
The Self portrait during the Lockdown was created during Coronavirus Lockdown in UK. As a person at high risk of my health condition if I catch Coronavirus, by the government recommendations I needed to stay at home on my own up to twelve weeks...
I was trying to stay positive and creative.
I have a collection of many vintage gas masks from different countries. I was planning to use them for the installation the H-Hour during my Professional Doctorate’s degree show that was planned to be in June 2020. However, all plans changed. Staying at home on my own for twelve weeks during the lookdown and trying keep myself creative, I made a few self portraits using different gasmasks. --- Natalia J.
Artist in the Lockdown Series 2020 Still Life with Flowers from my Garden by Natalia Jezova
£79.00
Limited Edition of 20, Signed. High quality photo print, fitted on foam board with the author’s certificate and signature.
Artist in the Lockdown Series,2020.
Still Life with Flowers from my Garden.
Limited edition number: 20
Size: 23x18cm
Medium: High quality photo print, fitted on foam board with the author’s certificate and signature
Concept:
The Series Artist in the Lockdown was created during the Coronavirus Lockdown in UK. As a person at high risk of my health condition if I catch Coronavirus, by the government recommendations I needed to stay at home on my own up to twelve weeks...
I was trying to stay positive and creative. --Natalia J.
Vital Support. Artist in the Lockdown Series by Natalia Jezova
£89.00
Limited Edition of 20, signed. The Vital Support was created during the Coronavirus lockdown in UK.
Vital Support.
Artist in the Lockdown Series, 2020
Size: 23x18cm
Medium: High quality photo print, fitted on foam board with the author’s certificate and signature.
About the Series:
The Vital Support was created during the Coronavirus lockdown in UK.
I am classified as person who is within a high risk Covid-19 category due to my underlying health condition. Thus, I have been officially advised by NHS which is following the government recommendations to stay at home on my own for at least twelve weeks.
This came with multiple challenges and one of them was that I have run out of all general food supplies within a week. It was impossible to register for a shopping online in the supermarkets as a new customer.
It was only following four weeks when Asda and Waitrose sent me e-mails respectively confirming that they have received the information from the government that I now classify as a vulnerable person and I am given a priority to do my online grocery shopping and get it delivery. Sainsbury's refused to register new vulnerable customers.
After two weeks spent online and phone, trying to get support, I received an essential food supply parcel from the government, which mostly consisted of canned food. It was a truly kind gesture which I genuinely appreciated. However, the tin cans were of the type that could only be opened with special tin opener. Unfortunately, I did not have it...
You can see Jezova's works in the Exhibition, At Home.
At The Worlds End: Dvāpara by ELKYMY
£490.00
Original Painting. It's ina series of paintings comprising of telescopic views of the faces of different imaginary exoplanets, each set against a sea of blackness and the dark void of space.
‘At The Worlds End: Dvāpara
Size: 24 x 18 inches (61 x 46 cm)
Medium: Acrylic, polyurethane, powdered pigments (Mica) on deep edged stretched canvas with a depth of 1.3 inches (3.5cm)
About:
ELKYMY (Textural and painterly collaboration between London artists Andrea Papi and Daphne Ang)
Artwork concept:
‘Dvāpara (द्वापर)’ was created as part of ‘At The Worlds End’, a series of paintings comprising of telescopic views of the faces of different imaginary exoplanets, each set against a sea of blackness and the dark void of space.
‘Dvāpara’ was created during the height of the pandemic crisis of 2020 in the United Kingdom, where the artists are based. It provides a brief moment of interstellar escapism, reaching to the stars and galaxies for solace amidst these trying times here on our earth.
Artwork detail:
This work was executed using high quality professional grade materials and mediums from the Liquitex and Golden Acrylics Professional range. Done on Loxley Gold 3D canvasses with a depth of 1.3", making framing unnecessary. The works are also finished with archival standard sealant with UV protection (Golden Polymer Varnish), which gives a protective flexible dust-resistant surface. This varnish is removable with ammonia for restoration purposes if needed. A non-removable isolation coat was applied over the painting prior to varnishing, giving an extra layer of protection if/when the varnish is removed.
You can see ELKYMY's works in our Exhibition.
At The Worlds End: Tretā !ेता by ELKYMY
£490.00
Original painting. ‘Tretā !ेता’ was created as part of ‘At The Worlds End’, a series of paintings comprising of telescopic views of the faces of different imaginary exoplanets, each set against a sea of blackness and the dark void of space.
Size: 24 x 18 inches (61 x 46 cm)
Medium: Acrylic, polyurethane, powdered pigments (Mica) on deep edged stretched
canvas with a depth of 1.3 inches (3.5cm)
Artwork detail:
Despite the advancements of science and the exploration of space, deepening our
understanding of our cosmos, it has also become a much stranger place given its infinite
formlessness and the barrenness of its void. Inspired by views of Jupiter captured by NASA's
Juno Spacecraft, ‘At The Worlds End’ depicts imagined landscapes and extra-terrestrial
topography of planets yet to be discovered. A celestial and imaginary cosmology procured
by artistic imagination and the unconscious mind, these paintings conveys an overall sense
of man’s insignificance when confronted with infinite space and the immeasurability of time.
The textural terrain of the surface comprises of an initial application of polyurethane foam
which was first applied onto the surface of the canvas, then shaped and scraped using
various tools and impediments. Due to the chemical nature of the expanding foam, which
requires moisture to expand before curing to form a solid three-dimensional surface, left to
its own devices or with minimal intervention, the foam will expand and cure to form a solid
three-dimensional structure that has a puffy, cloud-like quality.
The foam can also be modelled by shaping and scraping to created textural effects evocative
of those found in natural landscapes. However, despite the intervention of the artist’s hand,
the foam has a certain quality of fluidity as it continues to grow and morph in shape and size
before it eventually dries out and cures. The ‘formlessness of foam’ and the unpredictability
of its final form can be seen as a manifestation of the spontaneity of nature.
A driving force underpinning the artistic vision of these works is the artists’ preoccupation
with the search for the perfect balance –– the equilibrium between the agency of the artist's
hand, the spontaneity of the materials, and the interaction between the pigment and paints
themselves.
An initial application of varying tones of pigmented colour to create a tonal underpainting
recalls one of the techniques (Grisaille) used by the Old Masters to depict areas of dark and
light. Thin transparent glazes and washes of interference and iridescent colours were applied
over the grisaille underpainting comprising of varying tones of pigmented paints. Due to the
shifting nature of interference colours, the painting changes in appearance when viewed
from different angles.
Overlapping layers of transparent pigments and thin glazes of iridescent colors evoke the
quality of swirling clouds and luminous bands of atmospheric gases arising from dramatic
cyclonic storms on distant planets, as seen in infrared views of space. One of the key
features of reflective paints (interference and iridescent) is in its ability to reflect light
differently than regular pigmented paints. The diffusion of color caused by the effects of
overlapping glazes of transparent pigmented paint, interference colours, and gloss gels,
imbues a sense of the ethereal glow emanating from the cosmic dust of a nebula, or the
atmospheric planetary hazes rising from the merging of storms.
While this evokes otherworldly and celestial scenery, "At The Worlds End" can be seen as a
manifestation of the connection between the psyches of the two artists. The shaping of
foam was executed without conscious intent or a plan, and hence is based on unconscious
material. The resulting imagery recalls the birth and death of planets and imbues a sense of
the cyclical nature of time. Because of the connection between the individual and collective
unconscious of the artists, the pictures take on an added dimension –– becoming a conduit
between art and science, artistic imagination and the collective unconscious.
Concept:
‘Tretā’ was created during the height of the pandemic crisis of 2020 in the United Kingdom,
where the artists are based. It provides a brief moment of interstellar escapism, reaching to
the stars and galaxies for solace amidst these trying times here on our earth.
This work was executed using high quality professional grade materials and mediums from
the Liquitex and Golden Acrylics Professional range. Done on Loxley Gold 3D canvasses with
a depth of 1.3", making framing unnecessary. The works are also finished with archival
standard sealant with UV protection (Golden Polymer Varnish), which gives a protective
flexible dust-resistant surface. This varnish is removable with ammonia for restoration
purposes if needed. A non-removable isolation coat was applied over the painting prior to
varnishing, giving an extra layer of protection if/when the varnish is removed.
At The Worlds End: Satya स"य by ELKYMY
£490.00
Original painting. ‘Satya स"य’ was created as part of ‘At The Worlds End’, a series of paintings comprising of telescopic views of the faces of different imaginary exoplanets, each set against a sea of blackness and the dark void of space.
Size: 24 x 18 inches (61 x 46 cm)
Medium: Acrylic, polyurethane, powdered pigments (Mica) on deep edged stretched
canvas with a depth of 1.3 inches (3.5cm)
ELKYMY (Textural and painterly collaboration between London artists Andrea
Papi and Daphne Ang )
Artwork detail :
’Satya’ was created during the height of the pandemic crisis of 2020 in the United Kingdom,
where the artists are based. It provides a brief moment of interstellar escapism, reaching to
the stars and galaxies for solace amidst these trying times here on our earth.
This work was executed using high quality professional grade materials and mediums from
the Liquitex and Golden Acrylics Professional range. Done on Loxley Gold 3D canvasses with
a depth of 1.3", making framing unnecessary. The works are also finished with archival
standard sealant with UV protection (Golden Polymer Varnish) which gives a protective
flexible dust-resistant surface. This varnish is removable with ammonia for restoration
purposes if needed. A non-removable isolation coat was applied over the painting prior to
varnishing, giving an extra layer of protection if/when the varnish is removed.
Concept:
‘Satya स"य’ was created as part of ‘At The Worlds End’, a series of paintings comprising of
telescopic views of the faces of different imaginary exoplanets, each set against a sea of
blackness and the dark void of space.
Despite the advancements of science and the exploration of space, deepening our
understanding of our cosmos, it has also become a much stranger place given its infinite
formlessness and the barrenness of its void. Inspired by views of Jupiter captured by NASA's
Juno Spacecraft, ‘At The Worlds End’ depicts imagined landscapes and extra-terrestrial
topography of planets yet to be discovered. A celestial and imaginary cosmology procured
by artistic imagination and the unconscious mind, these paintings conveys an overall sense
of man’s insignificance when confronted with infinite space and the immeasurability of time.
The textural terrain of the surface comprises of an initial application of polyurethane foam
which was first applied onto the surface of the canvas, then shaped and scraped using
various tools and impediments. Due to the chemical nature of the expanding foam, which
requires moisture to expand before curing to form a solid three-dimensional surface, left to
its own devices or with minimal intervention, the foam will expand and cure to form a solid
three-dimensional structure that has a puffy, cloud-like quality.
The foam can also be modelled by shaping and scraping to created textural effects evocative
of those found in natural landscapes. However, despite the intervention of the artist’s hand,
the foam has a certain quality of fluidity as it continues to grow and morph in shape and size
before it eventually dries out and cures. The ‘formlessness of foam’ and the unpredictability
of its final form can be seen as a manifestation of the spontaneity of nature.
A driving force underpinning the artistic vision of these works is the artists’ preoccupation
with the search for the perfect balance –– the equilibrium between the agency of the artist's
hand, the spontaneity of the materials, and the interaction between the pigment and paints
themselves.
An initial application of varying tones of pigmented colour to create a tonal underpainting
recalls one of the techniques (Grisaille) used by the Old Masters to depict areas of dark and
light. Thin transparent glazes and washes of interference and iridescent colours were applied
over the grisaille underpainting comprising of varying tones of pigmented paints. Due to the
shifting nature of interference colours, the painting changes in appearance when viewed
from different angles. Overlapping layers of transparent pigments and thin glazes of iridescent colours evoke the quality of swirling clouds and luminous bands of atmospheric gases arising from dramatic cyclonic storms on distant planets, as seen in infrared views of space. One of the key features of reflective paints (interference and iridescent) is in its ability to reflect light differently than regular pigmented paints. The diffusion of colour caused by the effects of overlapping glazes of transparent pigmented paint, interference colours, and gloss gels, imbues a sense of the ethereal glow emanating from the cosmic dust of a nebula, or the atmospheric planetary hazes rising from the merging of storms.
While this evokes otherworldly and celestial scenery, "At The Worlds End" can be seen as a
manifestation of the connection between the psyches of the two artists. The shaping of
foam was executed without conscious intent or a plan, and hence is based on unconscious
material. The resulting imagery recalls the birth and death of planets and imbues a sense of
the cyclical nature of time. Because of the connection between the individual and collective
unconscious of the artists, the pictures take on an added dimension –– becoming a conduit
between art and science, artistic imagination and the collective unconscious.
Shard No 3 By Adina Andrus
£425.00
Original Mix Media. The pieces that make up this series were created by collecting discarded materials reminiscent of a particular point in time and space and encasing them in cement which is subsequently broken to reveal these bits of day-to-day life.
Shard #3
Size:
25x25x7 cm
Medium:
Mixed media, cement art: cement, copper, wood, fibers, cloth, paper and acrylic
Artwork Concept
This is one of the work in the series “Assemblages“ which presents shards of present day life for examination.
An “assemblage” is an archaeological term meaning a group of different artifacts found in association with one another, that is, in the same context.
The pieces that make up this series were created by collecting discarded materials reminiscent of a particular point in time and space and encasing them in cement which is subsequently broken to reveal these bits of day-to-day life. One assemblage collects the pieces of an experience and organizing and classifying them offers the viewer a glance into and maybe an understanding of it. Photographic images of the spaces referenced in the assemblages are combined with references to archaeological imagery. The pieces are presented in a gridded structure, an attempt at ordering otherwise disparate and temporally and spatially remote experiences. This is one of the work in the series.
“Ovo ab malum #2” by Adina Andrus
£175.00
Original Painting. It is inspired by decorative markings found on prehistoric pottery.
“Ovo ab malum #2”
Size: 28x25cm
Medium: Ink and copper on paper
"The series "Ovo ab malum" is named after the Latin expression signifying from beginning to end, and I have started it as a reminder of the impermanence of the present situation relative to the history of humanity. It is inspired by decorative markings found on prehistoric pottery. I found that working with repeating patterns provides a sense of control and comfort that I have been missing in my day-to-day life during the past few weeks as life under quarantine and the need to leave my usual studio space has imposed many new constraints on my work." --Adina Andrus
“Ovo ab malum #1” by Adina Andrus
£175.00
Original Mixed Media. It's inspired by decorative markings found on prehistoric pottery.
“Ovo ab malum #1”
Size: 28x25cm
Medium:
Ink and copper on paper
"The series "Ovo ab malum" is named after the Latin expression signifying from beginning to end, and I have started it as a reminder of the impermanence of the present situation relative to the history of humanity. It is inspired by decorative markings found on prehistoric pottery. I found that working with repeating patterns provides a sense of control and comfort that I have been missing in my day-to-day life during the past few weeks as life under quarantine and the need to leave my usual studio space has imposed many new constraints on my work."-- Adina Andrus.
Untitled by Diana Savostaite
£520.00
Original Painting. Heart is a common subject in my paintings...
‘Untitled’b 2019
Size: 88 x 88 x 2 cm
Medium: Oil on linen
Oil on linen, stretched on shaped frame, 88 x 88 x 2 cm
Artwork detail:
This painting has been painted in many layers and it changed multiple times. Heart is a common subject in my paintings. I choose it as a symbol of being alive and enabled to feel.
About the Artist:
The very first idea of making irregular artworks was triggered in an art exhibition that was held in Thames-Side Studios gallery in 2019. I saw some paintings that were very large and tall. Then, I certainly had this idea in my mind to experiment more and make something different then I used to. My initial idea was to prepare a long piece of canvas and paint a series of paintings on it so it looked something similar to a camera film with different shots. So, I have painted a couple of tall canvases which made me think of making all kinds of shapes. In the beginning I started to make little shaped canvases and really enjoyed it. As the time went, my ideas evolved and I discovered new possibilities of hanging the paintings in unusual places, turning them and connecting them together in different ways. I am still on my way to finding perfect shapes and compositions.
You can See Savostaite's painting in our Exhibition.
Heartbeat No1 by Diana Savostaite
£350.00
Original Painting. The artwork of heart in such an expressive and colourful manner to visually emphasize a sense of beating heart (or passion for life).
‘Heartbeat – 1’
Size: 63 x 50 x 2 cm
Medium:
Oil on linen, stretched on shaped frame, 63 x 50 x 2 cm, 2019
About the work :
Diana Savostaitepainted this artwork of heart in such an expressive and colourful manner to visually emphasize a sense of beating heart (or passion for life). This painting was made as a diptych with 'Heartbeat - 2'
Work Concept:
The very first idea of making irregular artworks was triggered in an art exhibition that was held in Thames-Side Studios gallery in 2019. Savostaite saw some paintings that were very large and tall. Then, she certainly had this idea in her mind to experiment more and make something different then she used to.
" My initial idea was to prepare a long piece of canvas and paint a series of paintings on it so it looked something similar to a camera film with different shots. So, I have painted a couple of tall canvases which made me think of making all kinds of shapes. In the beginning I started to make little shaped canvases and really enjoyed it. As the time went, my ideas evolved and I discovered new possibilities of hanging the paintings in unusual places, turning them and connecting them together in different ways. I am still on my way to finding perfect shapes and compositions."- D. Savostaite
Heartbeat No2 by Diana Savostaite
£320.00
Original Painting. The artwork of heart in such an expressive and colourful manner to visually emphasize a sense of beating heart (or passion for life).
You can see the full view of the Diptych in a photo attached here.
‘Heartbeat – 2’
Size: 50 x 51 x 2 cm
Medium:
Oil on shaped canvas, 50 x 51 x 2 cm, 2019
About the work :
Diana Savostaite painted this artwork of heart in such an expressive and colourful manner to visually emphasize a sense of beating heart (or passion for life). This painting was made as a diptych with 'Heartbeat - 1'
Work Concept:
The very first idea of making irregular artworks was triggered in an art exhibition that was held in Thames-Side Studios gallery in 2019. Savostaite saw some paintings that were very large and tall. Then, she certainly had this idea in her mind to experiment more and make something different then she used to.
" My initial idea was to prepare a long piece of canvas and paint a series of paintings on it so it looked something similar to a camera film with different shots. So, I have painted a couple of tall canvases which made me think of making all kinds of shapes. In the beginning I started to make little shaped canvases and really enjoyed it. As the time went, my ideas evolved and I discovered new possibilities of hanging the paintings in unusual places, turning them and connecting them together in different ways. I am still on my way to finding perfect shapes and compositions."- D. Savostaite
Spallanzani by Angelo Troilo
£400.00
Original Painting. The title is to remember Italy, my country. Everyone there when they hear it will remember it.
Spallanzani
Size: measure in centimetre
23.5x24.5 cm
Medium:
Oil on canvas
wooden frame
About Artist:
Angelo Troilo was born in 1996 in Padua. Lives and works in Arquà Petrarca (IT). He attended an art institute where he was inspired by graffiti with Basquiat and Banksy. He is co-founder of the artistic group '' Next artist '', and has organized three collective exhibitions in the years 2017-2019. He attended the Academy of Fine Arts in Venice and later moved to the Academy of Fine Arts in Bologna where he is still attending. EXHIBITIONS : 2017: "Next Artist", collective exhibition, first edition, Este PD. 2018: "Next Artist", collective exhibition, second edition, Este PD. 2019: "Next Artist", collective exhibition, third edition, Este PD. 2019: "ContemporaneaMENTI", the Arsenale Foundation, Iseo (BR), Italy. 2019-2021: "Biennial of Contemporary Art JCE / JEUNE CREATION EUROPEENNE", Montrouge, France. 2019: “Biennial of MArteLive”, Rome, Italy. 2019: Virtual Art Exhibition “Contemporary Man”, Toronto, Canada. 2019: Virtual Exhibition at the new York Art Center”, Tribeca, New York. 2020: Virtual Exhibition “Green, Pink, Yellow, White, with You”Australia.
You can see Troilo's work in our Exhibition.
Behind the corner by Angelo Troilo
£99.00
Limited Edition of 10, signed. The future begins when someone dares to dream.
Behind the corner
Size:
45x78 cm
Artwork detail explain:
Unframed
The prints are made to order.
Shipping within five working days after printed and signed by artist.
Lockdown Monoprint Series by Judith Walker (No. 1)
£95.00
"Where Are You? - Come This Way - I Am Here - You Are Welcome, To Join Me On My Own NO 1"
Monoprint
Size: measure in centimetre
29.7 X 42 (CM)
Unframed handmade monoprint
This work is a part of series of monoprints “Isolating Together” inspired by human reaction to the pandemic. This work is intended to convey the message that people can all feel a sense of community within isolation.
You can see more Walker's works in our residence page
Lockdown Monoprint Series by Judith Walker (No 5)
£95.00
'Where Are You?, Come This Way, I Am Here, You Are Welcome, To Join Me On My Own No 5'
Monoprint
Size: measure in centimetre
29.7 X 42 (CM)
Unframed handmade monoprint
This work is a part of series of monoprints “Isolating Together” inspired by human reaction to the pandemic. This work is intended to convey the message that people can all feel a sense of community within isolation.
You can see more Walker's works in our residence page
LOCKDOWN MONOPRINT SERIES BY JUDITH WALKER (NO. 16)
£95.00
Original Monoprint
Where Are You? - Come This Way - I Am Here - You Are Welcome - To Join Me - On My Own 16
Monoprint
Size: measure in centimetre
29.7 X 42 (CM)
Unframed handmade monoprint
This work is a part of series of monoprints “Isolating Together” inspired by human reaction to the pandemic. This work is intended to convey the message that people can all feel a sense of community within isolation.
You can see more Walker's works in our residence page
Delicious Nature by Analia Adorni
£180.00
Original Painting. Exploring the ambiguity and the fine limits in the relationships nature/culture....
“Delicious nature”
Size: measure in centimetre
80x 65 cm
Mixed medium , Acrylic, oil on canvas hardboard.
Concept / In Her Own Words:
MY artworks explore the transformation in nature/culture. The ambiguity and the fine limits in the relationships nature/culture.
Both: nature and culture are in continue transformation. The movements in nature spaces
and landscapes depends of people’s activities, and people’s activities depend of the
movements in nature (For example in this times of COVID: human activities are in dependence of natural events)
-----------------
climate challenges, surrealism, transformation
“Putti” (Children angels) by Analia Adorni
£150.00
Original Painting. Spirituality in art is the spiritual aspects in nature.
“Putti”(Children angels).
Size:
0,32x0,35m
Original artwork medium:
Watercolors on Fabriano Paper
"My artwork is inspired in Italians children angels called “Putti” for the traditional freques of Rafaello; in my artworks, I was inspired by the spiritual aspects in nature in a combination of spirituality and natural elements." ---Analia Adorni.
”Il canale” (The canal) by Analia Adorni
£150.00
Original Painting. Artwork symbolises the relationship between nature vs culture.
Size: 0,32x0,35m
Original art work Medium: watercolour on Fabriano paper and natural elements.
"In my artworks, I love to experiment with different materials, in this case is a combination of watercolours and natural elements that symbolise the relationship between nature vs culture;
in a representation of air and water: two primordial elements in nature. " ---Analia Adorni
Fast Bugs by Gideon Pain
£400.00
Original Painting. ' The natural world has been little affected by the pandemic and in many cases benefited as an indirect result...'
‘Fast Bugs’
Acrylic and collage on paper
70 x 49 cm [image size]
This picture is about how the natural world has been little affected by the pandemic and in many cases benefited as an indirect result.
About the Artist Gideon Pain:
Gideon Pain’s pictures derive from a delight in the world around, a play on the mundane and everyday that we slip through on our way to somewhere else. They are about collective moments, some tragic some euphoric, when the sharing of an experience gives significance to something unnoticed. These quiet revelations bind nurture and reassure us in a world that quickly passes. Paint, in a digital age is a slow inaccurate and clumsy medium, making it perfect for capturing and re-contextualising this fragile transience.
Education: 1992-1994 Reading University MFA Fine Art Painting. 1986-1989 Glouchester College Of Art Ba [hons] Fine Art Painting First Class.
Selected Exhibitions: 2019 'Made in Britain', group show, Gdansk, Poland. 'Contemporary British Painting', group show, Norwich Cathedral, Norwich. ‘Summer at the Beach 4, group show, Waterbeach, Cambridge. 'New Painting 2019’ The Crypt. Marlybone, London. 2018 'Staff Art Show' The British Museum, London. ‘Summer at the Beach 3, group show, Waterbeach, Cambridge. 'Contemporary painting art from Britain' Yantai Art Museum, China. 'New Painting 2018’ The Crypt. Marlybone, London. 2017 'Contemporary painting art from Britain' Yanti Museum, China. ‘Contemporary Masters of Eastern England’, The Cut, Halesworth. ‘Summer at the Beach 2, group show, Waterbeach, Cambridge. ‘Anything Goes’, Bermondsey Project Space, London. Collections: Hangzhou Art Museum, China. Southend Hospital. Falmouth Art Gallery. Swindon Art Gallery. Rudby Art Gallery. Priseman Seabrook Collection of 21st Century British Painting.
You can see Pain's works in our Exhibition.
Bug Crush by Gideon Pain
£400.00
Original Painting, about how the natural world has been little affected by the pandemic and in many cases benefited as an indirect result.
‘Bug Crush’
Size:
70 x 49 cm- Image size
Medium:
Acrylic, ink and collage on paper
Artwork detail:
This picture is about how the natural world has been little affected by the pandemic and in many cases benefited as an indirect result.
Wild Shoots by Gideon Pain
£400.00
Original Painting. This picture is about how the natural world has been little affected by the pandemic and in many cases benefited as an indirect result.
‘Wild Shoots’
Size:
70 x 49 cm [image size]
Medium: Acrylic, ink and collage on paper
Artwork detail:
This picture is about how the natural world has been little affected by the pandemic and in many cases benefited as an indirect result.
About:
Gideon Pain’s pictures derive from a delight in the world around, a play on the mundane and everyday that we slip through on our way to somewhere else. They are about collective moments, some tragic some euphoric, when the sharing of an experience gives significance to something unnoticed. These quiet revelations bind nurture and reassure us in a world that quickly passes. Paint, in a digital age is a slow inaccurate and clumsy medium, making it perfect for capturing and re-contextualising this fragile transience.
1992-1994 Reading University MFA Fine Art Painting
Bolt Out Of The Blue by Lucy SM Johnston
£75.00
Limited Edition of 50, signed.
Size:
A2 signed edition of 50
Limited Printed from the original acrylic on canvas.
Size: (w) 120cm; (h) 100cm
"This painting is inspired by Mayan deities; the black panther signifying the shape shifter / reinventor with the ability to guide one from darkness into light - a totem needed even more in these uncertain times. The lightning jag is a nod to modern 'heiroglyphic' symbols as a way to communicate shorthand in our over-saturated media landscape. This piece is part of a larger collection reflecting the increasing clash of the digital between the natural world" --Lucy SM Johnston.
You can See Johnston's paintings in our Exhibition.
Suburban Love Story by Lucy SM Johnston
£75.00
Limited edition of 50. Signed. Two budgerigars cosseted in cherry blossom, make the impossible dream seem attainable.
Suburban Love Story
Size:
A2 - 42cm x 59.4cm
Medium:
Limited EditionPrint of an original Acrylic on canvas
Sorry I missed your call by Lucy SM Johnston
£75.00
Limited Edition of 50. Signed.- In times of trouble, we retreat into nostalgia - the both familiar and comforting, bright scarlet lips dominate against pop-art bright.
Answer machine messages, lipgloss dial-ups, missed connections, don’t lose touch.
Sorry I missed your call
Size:
A2 - 42cm x 59.4cm
Medium:
Limited Edition of a original Acrylic on canvas
Inspired by art found in bedrooms of suburban 80's kids everywhere, these lips channel the promise of teenage daydreams. In times of trouble, we retreat into nostalgia - the both familiar and comforting, bright scarlet lips dominate against pop-art bright.
Cycladic Figure and Moorland Road by Sandra Storey
£225.00
Original Drypoint and mixed media monoprint. Combining an interest in the permanence of talisman like objects from the natural world and the fragility of species and habitat...
Cycladic Figure and Moorland Road
Drypoint and mixed media monoprint
£225 included Framed and mounted.
Size: measure in centimetre 60 x 48
Framed and mounted with charcoal black ash frame.
Medium: Printrmaking
About Storey's printmaking process:
The use of technique here is with drypoints. A sharp steel scriber has been used to score into either an aluminium or plastic plate, here I have used plastic. Ink is then wiped onto the surface before being carefully wiped off. Ink sits in the scored areas. I have deliberately left thick areas of ink in some places and also reapplied ink where I feel too much has been wiped away or where I want additional colour (a la poupée).
A piece of damp paper is placed over the plate before they are rolled through the press together to produce the print. Ink from the scored grooves is squeezed onto the paper along with traces of additional ink added a la poupée.
Artwork detail:
Combining an interest in the permanence of talisman like objects from the natural world and the fragility of species and habitat, Sandra Storey draws on printmaking processes and mixed media to explore her ideas.
Moorland Objects by Sandra Storey
£225.00
Original Drypoints Monoprint. Combining an interest in the permanence of talisman like objects from the natural world and the fragility of species and habitat...
Moorland Objects
Original Monoprint
£225 included Framed and mounted.
Size: measure in centimetre 59 x 48
Medium: Printrmaking
About Storey's printmaking process:
The use of technique here is with drypoints. A sharp steel scriber has been used to score into either an aluminium or plastic plate, here I have used plastic. Ink is then wiped onto the surface before being carefully wiped off. Ink sits in the scored areas. I have deliberately left thick areas of ink in some places and also reapplied ink where I feel too much has been wiped away or where I want additional colour (a la poupée).
A piece of damp paper is placed over the plate before they are rolled through the press together to produce the print. Ink from the scored grooves is squeezed onto the paper along with traces of additional ink added a la poupée.
Artwork detail:
Combining an interest in the permanence of talisman like objects from the natural world and the fragility of species and habitat, Sandra Storey draws on printmaking processes and mixed media to explore her ideas.
Curlew and Figure by Sandra Storey
£225.00
Original Painting, Drypoint / Monoprint
'Curlew and Figure'
Size: 59 x 48 cm
framed and mounted
(Frame is charcoal black ash)
Medium: original printmaking on fine art paper.
Drypoint/Monoprint
About:
Combining an interest in the permanence of talisman like objects from the natural world and the fragility of species and habitat, Sandra Storey draws on printmaking processes and mixed media to explore her ideas.
You can see Sandra Storey's works in the Exhibition.
Equilibrium by Mohini Mehta
£150.00
Original Painting. In the series of Equilibrium & Balance
Size: measure in centimetre
43.18cmx35.56cm
Medium: oil on canvas
Artwork detail explain:
Made with the used turpentine to depict that an artistic process is defined in the way we chose to see. The world doesn’t seize when there is no commercial goods available, rather new ideas are born and it just keeps evolving from one situation to other.
In Her Own Words:
This work was made when I was at an environmental residency in the Blue Mountains, Australia and had very limited materials. Been working on the theme of environment I did not feel like discarding the used turpentine and rather decided to make work out of it. Work can be made from anything, and we shouldn’t release toxic materials knowingly, especially as artists of today.
Balance by Mohini
£150.00
Original Painting. In the series of Equilibrium & Balance
Size: measure in centimetre
43.18cmx35.56cm
Medium: oil on canvas
Artwork detail explain:
Made with the used turpentine to depict that an artistic process is defined in the way we chose to see. The world doesn’t seize when there is no commercial goods available, rather new ideas are born and it just keeps evolving from one situation to other.
In Her Own Words:
This work was made when I was at an environmental residency in the Blue Mountains, Australia and had very limited materials. Been working on the theme of environment I did not feel like discarding the used turpentine and rather decided to make work out of it. Work can be made from anything, and we shouldn’t release toxic materials knowingly, especially as artists of today.
The Trio by Mohini Mehta
£250.00
Original Painting. Chinese Ink on Rice Paper.This extremely delicate work is painted with a single dip of paint on the brush.
The Trio
Size: 33.52cm x 33.52cm
Medium: Chinese Ink on Rice Paper
Artwork detail :
This is a work on rice paper, extremely delicate. The work is framed.
Chinese ink on rice paper, this extremely delicate work is painted with a single dip of paint on the brush. It depicts what the eyes want to see. One may see trees or flowers, or buds, etc… It is painted from the nature and perceives the viewers imagination.
OldCode-ripple-mirror by Samiir Saunders
£100.00
Sold out
Original Mixed Media.
Size: 27.9 x42 cm
Medium: Mono Screen Print with Risograph
Artwork detail explain:
In his own words:
I am interested in how information mutates over time, especially in how technology accelerates this mutation.
These individual artworks exist in a state of flux, a snapshot of my iteration through a series of analogue and digital processes. --Samiir S.
-------
Abstract, Contemporary Drawing, Fragments, Screen Print, Risograph, Code
OldCode-folding-door by Samiir Saunders
£100.00
Original Mono Screen Print.
OldCode-folding-door
Size: 27.9 x42 cm
Medium: Mono Screen Print with Risograph
Artwork detail , in his own words:
These individual artworks exist in a state of flux, a snapshot of my iteration through a series of analogue and digital processes." --Samiir Saunders
you can see more Saunders' works in our Exhibition.
----------------------------------------------
Abstract, Contemporary Drawing, Fragments, Screen Print, Risograph, Code.
OldCode-squared-axe by Samiir Saunders
£100.00
Original Mixed media. Screen Print with Risograph.
Size: 27.9 x42 cm
Medium: Mono Screen Print with Risograph
In his own Words:
I am interested in how information mutates over time, especially in how technology accelerates this mutation.
These individual artworks exist in a state of flux, a snapshot of my iteration through a series of analogue and digital processes.
you can see Samiir Saunders's works in our Exhibition.
---------------------------------------
Abstract, Contemporary Drawing, Fragments, Screen Print, Risograph, Code
Landscape with Cacti by Mila Vatsova
£150.00
Original oil painting. Vatsova’s artistic approach to recreate the view from a window in lockdown during the Covid- 19 Pandemic.
Landscape with Cacti
Size: 50/60 cm
Medium:
Oil on canvas
About Artist:
Mila Vatsova. Sofia, Bulgaria.
Mila Vatsova studies fine arts at the National Academy of Arts, Sofia Bulgaria.
Exhibitions:
Via Pontica. XII International Youth Arts Festival, Plain air painting. 2019, National art gallery, Balchik, 2019, National art gallery, Balchik. National Academy of Art, Drawing competition, 2019. Illustrations of the book: Lectures on Ancient Culture Ognian Radev. 2018. Sofia: Macros Publishing House. International experience: We are art, Bacoli, Feb. 2019. Erasmus exchange programme. Vivarium Novum Academy 2017. Villa Falconieri, Roma, Italy.
you can see more of her works in our exhibition.
Landscape with houses №1 by Mila Vatsova
£150.00
Original Painting. An artistic approach to recreate the view from a window in lockdown during the Covid- 19 Pandemic.
‘Landscape with houses №1’
Size: 50x61 cm
Medium: oil on canvas
Artwork detail :
Mila Vatsova’s artistic approach to recreate the view from a window in lockdown during the Covid- 19 Pandemic.
Landscape with houses №2 by Mila Vatsova
£150.00
Original Painting. An artistic approach to recreate the view from a window in lockdown during the Covid- 19 Pandemic.
‘Landscape with houses №1’
Size: 50x60 cm
Medium: oil on canvas
Artwork detail :
Mila Vatsova’s artistic approach to recreate the view from a window in lockdown during the Covid- 19 Pandemic.
BLUE WINDOW by KATHY GALES
£138.00
Original Painting. Latest works by Gales.
Size: measure in centimetre
23 x 30
Medium:
ACRYLIC ON SCRAPER BOARD
This image of a tree branch climbing up a façade was painted in acrylic on white scraper board. Thick paint and washes were used to portray the fence, wall and window and then scraped into to add texture and detail. The branch was first scratched away from the dark paint and then details were added after.--- Kathy Gales.
You can see Gales's works in our Exhibition.
-----------------------------------------------
Tree branch, scraper board, fence, wall, urban landscape, façade, scratched
COMMUNICATION by Kathy Gales
£295.00
Original Painting. Latest works by Gales.
In artist's own words:
I often make detailed doodles, usually when chatting on the phone. It occurred to me that these drawings could represent the intricate flow of words and thoughts made during these conversations. This piece was made using painted faces collaged together with these doodles on a block canvas. The doodles extend around all four sides. ---Kathy Gales.
Size: measure in centimetre
15 by 20
Medium:
Mixed Media
You can see Gales's works in our Exhibition.
---------------------------------
Communication, conversation, speech, speaking, doodles, linguistics, flow, collage, mixed media, conceptual
FOUNDED ON THE ROCK by Kathy Gales
£235.00
Original Painting. Latest work by Gales.
Size: measure in centimetre
16 x 12
Medium:
ACRYLIC ON CLAYBOARD
This little house was built on a rock so can withstand all of the bad weather that hits it. We too can keep strong despite any difficulties that life throws at us. What is your rock? When I was working on this acrylic painting on claybord I felt that it was lacking impact so I attacked it with thick paint applied with a palette knife to make it more stormy. The rain effect was made using scraper tools and heavy sandpaper. --Kathy Gales.
You can see Gales's works in our Exhibition.
--------------------------------------------------------------
Faith, strength, storm, stormy weather, stability, support, claybord, landscape, little house, built on a rock, acrylic painting
The Blue Horse by Andrew McNeile Jones
£120.00
Limited time only! Original Painting
25 x 30 cm,
oil on canvas
Limited time only, never before you can find this good value for Jones' work.
His work is to be seen regularly at the major art fairs in London and across Europe.
You can see Jones' work in our exhibition.
About Artists:
Andrew McNeile Jones graduated from Oxford University’s Ruskin School of Art, with a first in Fine Art, in the 1980’s. He then trained as a filmmaker, working in all areas of the film and television business. He produced and directed dramas, documentaries and commercials. He shot in many countries around the world, and won numerous awards for his productions. Throughout this time he continued to paint, but in 2002 decided to leave the film business in order to be able to concentrate on his art.
Nothing To Share But Yesterday by Andrew McNeile Jones
£395.00
Original Painting. The open sea, the elements of water and wind, suggest the essential, ineluctable parts of the world.
Nothing To Share But Yesterday
50 x 70 cm,
oil on canvas.
A figure in a landscape, a woman stands on a grassy ridge above the sea, stretching up as she pegs unruly laundry to a line. She appears to be a figure from the past, a memory of
another age.
Artwork Concept
The open sea, the elements of water and wind, suggest the essential, ineluctable parts of the world. The manual, domestic chores say something about a simpler time.
The serpentine shapes echo the billowing of the fabrics and the combination of monochrome and sharper colours suggest both a time past and yet very much of the
present.
When It’s Good. It’s Really Good by Andrew McNeile Jones
£220.00
Original Painting. With Jone's distinctive trade make of the mastery in mood and colours.
‘When It’s Good, It’s Really Good’,
48 x 36 cm,
oil on canvas
this is a smaller scale of Jones''s original work. It's very desirable and collectable.
Isolate With Me: On My Own No 2 by Judith Walker
£60.00
Original Monoprint. Signed. Inspired in the lockdown .....
This series of prints was inspired by a large drawing I made during lockdown called “Self Isolation” This work is intended to convey the message that I people that we can all feel a sense of community within our isolation.
Size: measure in centimetre
21 X 29.7
Unframed handmade monoprint
You can see Walker's works in our Artist in Residence.
Please Join Me No 8 by Judith Walker
£60.00
Original Monoprint. Signed. Inspired by the Lockdown period....
This series of prints was inspired by a large drawing I made during lockdown called “Self Isolation” This work is intended to convey the message that I people that we can all feel a sense of community within our isolation.
Size: measure in centimetre
21 X 29.7
Unframed handmade monoprint
You can see Walker's works in our Artist in Residence.
I Am Here No 8 by Judith Walker
£60.00
Original Monoprint. Signed. Inspired by the Lockdown in London....
This series of prints was inspired by a large drawing I made during lockdown called “Self Isolation” This work is intended to convey the message that I people that we can all feel a sense of community within our isolation.
Size: measure in centimetre
21 X 29.7
Unframed handmade monoprint
You can see Walker's works in our Artist in Residence.
Cinemas No 18 by Andres Villa
£200.00
Limited Print signed. Cinemas, is a series comprised of 20 photographs of an abandoned building in Bogota.
Cinemas
Size: measure in centimetre
25cm x 37,5cms 72dpi
Medium: digital archive for print
In his own words:
"This series of photographs was taken about 4 years ago in the loby of a building that no longer exists. It was a building where there was a multiple room for movie theatres in the centre of the city, they abandoned it in the 90s and when it lost its doors due to abandonment, the loby was filled with advertising posters over time, which for some is visual pollution for me is aesthetic. What inspired me to do this series, is the personal interest I have for the new Italian realism of the 70s and 80s, Villecle, Hains, Rotella, in my thesis I worked on that concept in screen printing and took it up with photography for this series of pictures.
Today the building no longer exists and this series remains as a document." --Andres Villa
If you collect the complete series of 20 photographs there will be a 50% discount.
please email, nobarkingart@gmail.com for the detail.
you can see the whole collection and Villa's other works in our Exhibition.
Cinemas Series - the complete Set (20 images) by Andres Villa
£2,000.00
Limited Print signed. 20 images in one set with 50% on original price.
Size: measure in centimetre
25cm x 37,5cms 72dpi total of 20 images in one set ( with 50% on original price. )
Medium: digital archive for print
"This series of photographs was taken about 4 years ago in the loby of a building that no longer exists. It was a building where there was a multiple room for movie theatres in the centre of the city, they abandoned it in the 90s and when it lost its doors due to abandonment, the loby was filled with advertising posters over time, which for some is visual pollution for me is aesthetic.
What inspired me to do this series, is the personal interest I have for the new Italian realism of the 70s and 80s, Villecle, Hains, Rotella, in my thesis I worked on that concept in screen printing and took it up with photography for this series of pictures.
Today the building no longer exists and this series remains as a document." --Artist, Andres Villa.
Cinemas, is a series comprised of 20 photographs of an abandoned building in Bogota, you can see the whole 20 images in the exhibition)
(here are the final 10 example images, your set include 20 images of the whole set)
Note: if you like to purchase only one of the 20 photographs, please check out on the single image listing next to this one.
Cinemas No1 by Andres Villa
£200.00
Limited Print signed. the building no longer exists and this photo series remains as a document.
Cenima
Size: measure in centimetre
25cm x 37,5cms 72dpi
Medium: digital archive for print
Cinemas, is a series comprised of 20 photographs of an abandoned building in Bogota
(here are the first 10 example images)
"This series of photographs was taken about 4 years ago in the loby of a building that no longer exists. It was a building where there was a multiple room for movie theatres in the centre of the city, they abandoned it in the 90s and when it lost its doors due to abandonment, the loby was filled with advertising posters over time, which for some is visual pollution for me is aesthetic.
What inspired me to do this series, is the personal interest I have for the new Italian realism of the 70s and 80s, Villecle, Hains, Rotella, in my thesis I worked on that concept in screen printing and took it up with photography for this series of pictures.
Today the building no longer exists and this series remains as a document." --Artist, Andres Villa.
Cinemas, is a series comprised of 20 photographs of an abandoned building in Bogota, you can see the whole 20 images in the exhibition)
Note: if you buy the complete series of 20 photographs you have a 50% discount
please check out on next listing for the 20 in one set version.
Boxed In by Adam Isfendiyar
£75.00
Limited Edition of 100, Signed. A triple exposure on 35mm film representing feelings of claustrophobia in a the bustling metropolis which is Tokyo.
Boxed In
Size: 29.7 x 42 cm
Medium:
Photograph on bordered c-type paper
Artwork detail :
A solitary man stands, about to cross a road, whilst hemmed in by traffic on one side and buildings above, as the crossing in front of him invites him to make a move.
A triple exposure on 35mm film representing feelings of claustrophobia in a the bustling metropolis which is Tokyo
You can see Adam Isfendiyar's work at the exhibition A World without end.
Crossing Over by Adam
£75.00
Limited Edition of 100. Commuters in Tokyo rush in the rain to get home or to the closest izakaya after a hard day at work...
Crossing Over
Size:
29.7 x 42 CM
Medium:
Photograph on bordered c-type paper
About the Artwork:
An overhead shot of a major crossing in Shinjuku, Tokyo on a rainy day, taken from the top of a very high building!
Most of Adam Isfendiyar's printed artwork comes from his travels in East Asia, which is where he has spent the majority of the last ten years of his life - one year in China and 8
years in Japan.
Photos and imagery have contributed a lot to his endless fascination with other cultures and he has always had a burning desire to tell stories of human experiences through his lens.
The Commuter by Adam Isfendiyar
£75.00
Limited Edition of 100. Signed. A 35mm triple exposure representation of the inner discord that travelling by public transport in Tokyo can bring.
The Commuter
Size:
29.7 x 42 cm
Medium:
Photograph on bordered c-type paper
Artwork detail:
A triple exposure, which uses lines and geometry to create confusion and a sense of unease, to reflect the organised chaos of travelling in Tokyo.
Most of Adam Isfendiyar's printed artwork comes from his travels in East Asia, which is where he has spent the majority of the last ten years of his life - one year in China and 8
years in Japan.
Photos and imagery have contributed a lot to his endless fascination with other cultures and he has always had a burning desire to tell stories of human experiences through his lens.
Random Occurrence ӏ by Lisa M Jirlow
£290.00
Original Water Colour, Framed. The painting process is to explore a visual language that ‘construct’ distinct images which hold it’s own proper entity,....
Size:
50 cm x 40 cm
framed
Meduims:
Watercolour, ink on paper.
(paper Bockingford)
ArtworkConcept:
The painting process is to explore a visual language that ‘construct’ distinct images which hold it’s own proper entity, without a subject matter or representing something in the real world as we know it.
Jirlow believes that what is not out there is possible in the artwork. She has no wish for interpretation nor representation. It is self-evident, beyond wording.
You can see Jirlow's work in our Exhibition.
Random Occurrence ӏӏ by Lisa M Jirlow
£290.00
Original Watercolour and Ink.
Random Occurrence ӏӏ
Size: measure in centimetre
50 x 40 cm
Medium: Watercolour and Ink
Artwork Concept:
The painting process is to explore a visual language that ‘construct’ distinct images which hold it’s own proper entity, without a subject matter or representing something in the real world as we know it.
Jirlow believes that what is not out there is possible in the artwork. She has no wish for interpretation nor representation. It is self-evident, beyond wording.
Random Occurrence ӏӏI by Lisa M Jirlow
£290.00
Original Watercolour and Ink. The painting process is to explore a visual language that ‘construct’ distinct images which hold it’s own proper entity...
Random Occurrence ӏӏI
Size: measure in centimetre
50 x 40 cm
Medium: Watercolour and Ink
Artwork Concept:
The painting process is to explore a visual language that ‘construct’ distinct images which hold it’s own proper entity, without a subject matter or representing something in the real world as we know it.
Jirlow believes that what is not out there is possible in the artwork. She has no wish for interpretation nor representation. It is self-evident, beyond wording.
In her own word:
In my creative process, I switch between being the Painter or the Finder who uses colour and form as a tool, and the Observer. That is my way to push myself towards the unexplored. Suddenly I find something; a balance, an equilibrium, an excitement, a direction or a movement that talks to me and fits into my unseen image world, beyond wordings.
I am happy when the obvious occurs. The image that I feel just works. The image that leaves me with a sense of content. The image that, with colours, shapes, lines, rhythm and light, builds a piece of artwork that, despite its two-dimensional surface, feels like a room to enter and that forms a standalone entity.
The artworks contain traces of emotional memories, kinetic memories and moods.
If time is given, if the viewer takes its time, here is something to be in and to remain in for contemplation.
And I find traces of myself in this new and unknown.
Welcome!
Lisa M Jirlow
Glen Fender, 2020
Wasteland No.1 by Rob Burton
£340.00
Original Mixed Media. This decaying fabric, this unknowable terrain has become my biography...
Wasteland No.1
70cm x 50cm
Framed
Digital print on mixed media fibre
Date: 2020
“This decaying fabric, this unknowable terrain has become my biography, the euphoria then the anguish, layers of memories colliding, splintering and reconfiguring” Laura Grace Ford in Savage Messiah
About the work:
Wasteland 1 is a one off original digital dye sublimation print onto fabric created from manipulated silk shantung fibres. This original artwork features original analog photographic imagery. The work explores a narrative of absence and loss in the urban wasteland. Stories of those places and things that have come before that form the ghosts of our life. The ghosts of our lives haunt the long-abandoned ballrooms of the past, the hotels gone to seed, the docks and the river that continues flowing with the rust and the detritus of ages beneath its waters; vestiges of thoughts gone holding still to their memories. She hides from out of site but we know she is watching always in those urban spaces that have deteriorated into total dereliction, where every unidentified noise is pregnant with menace..
The Herd by Ali Darke
£400.00
Original Mixed Midia. In memory of all the thousands of deaths from the Corona Virus 2020.
Size: measure in centimetre
68cm x 48cm
Medium:
mixed
Artwork detail:
Countless small rusty nails pinned in rows to a linen cloth. Embroidered on the border the words ‘The Herd’, in memory of all the thousands of deaths from the Corona Virus 2020.
Bear up by Kengwu Yerlikaya
£60.00
Only a few left!
Limited Print Of 5, Signed.Installation. Conceptual art.
Kengwu Yerlikaya
“Bear up”, 2019
Original Work: ready-made object installation
Limited Print : A2 ink print, unframed.
When Patrick’s mother passed away, he got back to work after the second day of bereavement leave(which he get two weeks)
Working as a psychiatric nurse, he told me: My patient needs me, I got no time to grieve. Bearing up all the other’s emotional tax, I looked at his sorrowful eyes, wandering, how about himself? Where did his issue go? Being a middle-aged gay man; single; having no children; not able to come out at the workplace…
You can also see Yerlikaya's artworks are in A world Without End exhibition , All too Human and The Zone
Unconscious III by Robert Nitschmann
£300.00
Original Painting. This piece is meant to visualize the unconscious with astronomical elements. Both share the infinite vastness.
Size: 30cm x 40 cm
Medium: Oil on Canvas Panel
About the artwork:
Each object is in it’s own orbit, leaving or entering the frame, overlapping or confronting each other. 3D objects contrast the flat background.
Robert Nitschmann on- Unconscious series
The goal is to create a surreal atmosphere by approaching the painting like a collage.Using both, artificially created structures and natural objects add to the feeling of the intangible. All the elements are painted in a traditional style. This painting shows three different objects, that are arranged in a collage-like manner. It is not clear if they are floating above or in front of the abstract background thus giving no indication of the relation to it. The head of David that seems to enter or leave the frame on the right side can easily be recognised. In contrast the spectator can see two rather indefinable objects to the left. Although the eye can understand the structure, the mind can’t.
You can see Nitschmann's work in our Exhibition.
Unconscious I by Robert Nitschmann
£500.00
Original Painting. Painting is an intimate process and I really hope with my paintings I am able to share some of these inner emotions.
Unconscious I
Size: 70cm x 100cm
Medium: Oil on stretchedCanvas
Artwork detail explain:
The goal is to create a surreal atmosphere by approaching the painting like a collage.
Using both, artificially created structures and natural objects add to the feeling of the
intangible. All the elements are painted in a traditional style.
Unconscious II by Robert Nitschmann
£300.00
Original Painting. Painting is an intimate process and I really hope with my paintings I am able to share some of these inner emotions. This is in the series, a smaller scale at a collectable value.
Unconscious II
Size: 30cm x 40 cm
Medium: Oil on stretched Canvas
Detail:
The two opposing elements are arranged in a collage-like manner. One is painted in a
very tight rendering style, the other very loosely.
The goal is to create a surreal atmosphere by approaching the painting like a collage.
Using both, artificially created structures and natural objects add to the feeling of the
intangible.
Outcome I by Laura Grimm
£450.00
Original Mixed Midia. What will the world look like after the pandemic is over?
Resin sculpture
The sculptures are made out of cardboard, cut to be folded and coated with resin. Green and blue pigments were mixed into the resin to simulate the colours of the earth. The sculptures is around 20-30 centimetres in size.
This is the first of a series of three small sculptures, titled outcomes, that made especially for A World Without End.
Artwork Concept
I interpreted the theme, A World Without End, as follows; the COVID-19 pandemic has stopped the world in its tracks. Everything has come to a standstill, and many things have become uncertain. From health to economic consequences, the pandemic will cause a huge
global shift. Change is certain, but what will the world look like after the pandemic is over?
The series of sculptures is based on the above question. I used the Dymaxion Map by
Buckminster Fuller. This pattern folds into a perfect globe.
Outcome I is part of a series of three sculptures. Individual sculptures are £450 each.
Collect all three sculptures, the total costs are £1200.
Please email: nobarkingart@gmail.com for purchasing the whole set.
Outcome II by Laura Grimm
£450.00
Original Sculpture. What will the world look like after the pandemic is over?
Size : 20-30 centimetres
Medium
Resin Sculpture, Sculpture
Detail: The sculptures are made out of cardboard, cut to be folded and coated with resin.
Green and blue pigments were mixed into the resin to simulate the colours of the earth. The sculptures is around 20-30 centimetres in size.
This is the first of a series of three small sculptures, titled outcomes, that made especially for A World Without End. Summer Exhibition 2020
Artwork Concept:
I interpreted the theme, A World Without End, as follows; the COVID-19 pandemic has stopped the world in its tracks. Everything has come to a standstill, and many things have become uncertain. From health to economic consequences, the pandemic will cause a huge
global shift. Change is certain, but what will the world look like after the pandemic is over?
The series of sculptures is based on the above question. I used the Dymaxion Map by
Buckminster Fuller. This pattern folds into a perfect globe. --Laura G.
Outcome II is part of a series of three sculptures. Individual sculptures are £450 each.
Collect all three sculptures, the total costs are £1200.
Please email: nobarkingart@gmail.com for purchasing the whole set.
Outcome III by Laura Grimm
£450.00
Original Sculpture, What will the world look like after the pandemic is over?
Resin sculpture
This series, 'Outcomes' contains 3 sculptures which were made out of cardboard, cut to be folded and coated with resin. Green and blue pigments were mixed into the resin to simulate the colours of the earth. This sculpture is around 20-30 centimetres in size.
This is the third of a series of three small sculptures, titled outcomes, that made especially for A World Without End.
Artwork Concept:
I interpreted the theme, A World Without End, as follows; the COVID-19 pandemic has stopped the world in its tracks. Everything has come to a standstill, and many things have become uncertain. From health to economic consequences, the pandemic will cause a huge
global shift. Change is certain, but what will the world look like after the pandemic is over?
The series of sculptures is based on the above question. I used the Dymaxion Map by
Buckminster Fuller. This pattern folds into a perfect globe.
Outcome III is part of a series of three sculptures. Individual sculptures are £450 each.
Collect all three sculptures, the total costs are £1200.
Please email: nobarkingart@gmail.com for purchasing the whole set.
As You like it by Lu Xu
£60.00
Limited Edition in 25. Signed.
As You Like It
Size: measure in centimetre
420x297
Medium:
Multi-material
Artwork detail explain:
unframed; made to order, deliver in 2 weeks.
About:
This is about how people can find their inner peace. Do what we can do and wait with patience, life will surprise us.
Roam in the Wild no.1 by Lu Xu
£80.00
Limited Edition of 25. Signed, in a series ‘wanderer’.
Roam in the Wild -1
Size: measure in centimetre
420x297
Medium:
Multi-material
Artwork detail explain:
unframed; Made to order , please give two weeks for delivery.
Words for Artwork Promotion :
These two images are a series under the theme ‘wanderer’.
There must be a lot of difficulties if you try to go out for a trip and find yourself. However, heaven always leaves one a way out.
I tried to describe different situations we might meet when we were wandering around in the wild, and add some imagination to the real world.
Roam in the Wild - 2 by Lu Xu
£80.00
Limited Edition of 25, a part of the series Wanders.
Roam in the Wild - 2
Size: measure in centimetre
420x297
Medium:
Multi-material
Artwork detail explain:
unframed; Made to Order, please give two weeks for delivery.
Words for Artwork Promotion :
These two images are a series under the theme ‘wanderer’.
There must be a lot of difficulties if you try to go out for a trip and find yourself. However, heaven always leaves one a way out.
I tried to describe different situations we might meet when we were wandering around in the wild, and add some imagination to the real world.
The Island by Joe Ryan
£450.00
Original Painting. Dalkey Island Dublin.
144x61 CM
Oil on Canvas
The Island examines metaphor and paradox of a country renowned for its beauty while at the same time savage contrast of being underpinned by austerity, corruption and recession and the isolation they cause.
Dissolution II by Joe Ryan
£280.00
Original Painting. Examining Michel Foucault's theories of bio politics....
76x61 Cm
Oil on canvas.
Dissolution 1 examines Michel Foucault's theories of bio politics focusing on how government's increasing interests in the control and administration of all life.
you can see Ryan's works in the Exhibition.
Summer Night by Elisa Buscemi
£70.00
Only a few left!
Limited Edition of 5. Signed. ~Visualisation of a dream.
Size: measure in centimetre
42.0 x 59.4 (A2)
Medium:
Mix Media and Digital
Composition developed with pastel pencil textures with a digital finishing
Artwork Concept:
My objective was to merge a vivid dream with my own art style, a visualisation of a dream.
you can see Buscemi's work in the Exhibition
-------------------
Mix Media , Digital finishing, Pastel Pencil Textures.
La Vista - La Finestra -The View -The Window by Elisa Buscemi
£70.00
Only a few left!
Limited Print of 5, signed. Buscemi wanted to provide and share the ideas/places that bring people calmness during uncertain times.
La Vista / La Finestra (The View / The Window)
Size: measure in centimetre
42.0 x 59.4 (A2)
Medium:
Watercolour Graphite, Mix Media and Digital
Artwork detail explain:
Composition of handmade textures developed through mix media collage with a digital finishing
Concept:
By removing any unnecessary distractions, Elisa Buscemi focuses the two things she loves the most – the sunlight and the sea – and the calmness these two elements could bring
She wanted to provide and share the ideas/places that bring calmness during uncertain times.
Sicilian Superstitions - Bread by Elisa Buscemi
£70.00
Only a few left!
Limited Edition of 5, Signed. One of a series of 3 Sicilian Superstitions that recall on Elisa Buscemi's heritage.
Sicilian Superstitions - Bread
Limited edition number:
5
Size: measure in centimetre
42.0 x 59.4 (A2)
Medium:
Mix Media and Digital
Artwork detail explain:
Composition developed with Mix Media and Collage – digital finishing.
Concept:
One of a series of 3 Sicilian Superstitions that recall on Elisa Buscemi's heritage.
“Turning the bread upside down at the table is like turning your back on Jesus” – This superstition varies from province to province and family to family. In mine, one could not leave the bread upside down because it would be like keeping the face of Jesus down – as disrespectful as it gets." -Elisa B.
Overlooked By Kathy Gales
£72.00
Limited Edition of 100, only 6 left.
Limited edition number:
21 to 26 of 100
Size: measure in centimetre
30 by 40 cm
A limited print on the Original Medium: Acrylic and collage
This artwork includes a mount.
Delivery will be actioned within 4 days.
Artwork detail :
An illustrative image in blues and mauves that evokes a mysterious moment in time. It was produced with collaged papers and cottons and combined with drawing and painting. The starting point was a beautiful newspaper photograph of trees that I used to fashion the dress. The shoes were also made with collage and layers of cotton and gold thread were used for the hair. The rest is painted with acrylic and drawn with pencil, the outside scene reflecting the trees of the dress design.
-----------------------------
Winter trees
Collage
Woman
Mystery
Illustration
Dress
Before Dawn by Kathy Gales
£235.00
Original Painting.
Before Dawn
Size: measure in centimetre
23 x 30.5 x 2
Medium: Acrylic on clayboard
'This monochrome painting was inspired by an image seen on an old programme. I really liked the unusual shapes caused by the different sources of light and the shadows that form an atmospheric and mysterious image.
It is painted in acrylic on clayboard and uses scraping and scratching techniques as well as colour lifting to achieve interesting marks.' -- Kathy Gales
------------------------------------
monochrome atmospheric
mysterious staircase
woman lighting
shadows clayboard
Hidden Depths by Kathy Gales
£235.00
Original Painting. This image explores the complex pattern formed from intertwined tree roots.
Hidden Depths
Size: measure in centimetre
23 x 31 CM
Medium: Scraperboard
Artwork detail explain:
This scraperboard image explores the complex pattern formed from intertwined tree roots. An intensity of line and detail represents these natural forms.
--------------------------
tree roots drawing
intertwined pattern
scraperboard drawing
Almond Blossom by Kathy Gales
£72.00
Only a few left!
Limited Edition of 100. An almond tree in bloom stands in front of a traditional hillside village.
Almond Blossom
Limited edition number: 21 to 23 of 100
Size: measure in centimetre 30 x 40 cm
Medium: Scraperboard
This artwork includes a mount.
Delivery will be actioned within 4 days.
Artwork detail:
An almond tree in bloom stands in front of a traditional hillside village. This image was drawn on to a black scraper board in monochrome. Fine lines depict the blossom of the tree and the buildings of a typical Mediterranean village.
--------------
Blossom
Trees
Mediterranean
Monochrome
Scraperboard
Hillside
Stormy Day by Kathy Gales
£325.00
Original painting.
Stormy Day
Size: measure in centimetre
40.5 x 30.5 x 2
Medium:
Acrylic on clayboard
Artwork detail:
Gales used acrylic paint on Ampersand clayboard to paint a storm brewing over a row of beach huts. She used a palette knife initially to lay down thick paint for the sky and sand then added washes of paint. The beach huts were painted thickly then scraped away to give the impression of weathered wood and paint.
acrylic
storm clouds
beach huts
clayboard
sand
thick paint
beach scene
weather
Walking the Embankment by Kathy Gales
£72.00
Limited Edition No21 of 100. It was completed using thick paint on textured paper and in a limited palate to convey the starkness of a cold and crisp English day....
Walking the Embankment
Limited edition number: 21 of 100 (only one left)
This artwork includes a mount
Delivery will be actioned within 4 days.
Size: measure in centimetre
31 x 24
Original Medium: Acrylic
Artwork detail explain:
This acrylic painting depicts an urban landscape in London and shows sightseers strolling along the Victoria Embankment by the River Thames on a Winter's day. It was completed using thick paint on textured paper and in a limited palate to convey the starkness of a cold and crisp English day. In the background the houses of parliament and Westminster can be seen.
-------------------------
London
Embankment
Stroll
Walk
Winter
People
Sightseeing
England
I am Here by Judith Walker
£400.00
Original painting.
I Am Here
Size: measure in centimetre
40 x 40
Medium:
Acrylic on canvas
In her own word:
This work is from my Sign Series of paintings which ask the viewer to decide whether to follow the directions that I am showing them in order to interpret and view the work or make up their own mind. The words – I Am Here - are my statement that is where I am. Judith W.
Where are You by Judith Walker
£400.00
Original Painting.
Where Are You?
Size: measure in centimetre
40 x40
Medium:
Acrylic on canvas
In Her own Words:
This work is from my Sign Series of paintings which ask the viewer to decide whether to follow the directions that I am showing them in order to interpret and view the work or make up their own mind. The words – Where Are You? – are my way of challenging the viewer to reveal themselves to me through my work.
Behind the Curtain bt Judith Walker
£95.00
Limited edition of 50, signed. Evoking a multitude of memories of the past, thoughts of the present and looking forward at the same time.
Behind the Curtain 1-4
Size: measure in centimetre
42 x 29.7 (A3)
Medium:
Digital print on
Hahnemühle rag paper
Artwork and delivery detail: Unframed, collector will receive within 2 week.
The price is for one image, when place your order, please note to us with the choice of your image number.
Concept:
Behind the Curtain represents an eternal curtain that is a portal into the human soul. Evoking a multitude of memories of the past, thoughts of the present and looking forward at the same time. It is a space of seclusion and comfort in unsettling times.
